Date: Sat, 06 Apr 2002 04:46:54
From: "neil barnes" <[EMAIL PROTECTED]>
Subject: Re: [LIB] [OT] RE: Digital cameras (danger Matt/Ray length exposition :)




>From: "Matthew Hanson" <[EMAIL PROTECTED]>
>Reply-To: Libretto <[EMAIL PROTECTED]>
>To: Libretto <[EMAIL PROTECTED]>
>Subject: Re: [LIB] [OT] RE: Digital cameras (danger Matt/Ray length 
>exposition :)
>Date: Fri, 5 Apr 2002 10:15:38 -0800
>
>Date: Fri, 05 Apr 2002 18:06:01 +0000
>From: "Matthew Hanson" <[EMAIL PROTECTED]>
>Subject: Re: [LIB] [OT] RE: Digital cameras (danger Matt/Ray length 
>exposition :)
>
>This is all very informative and interesting indeed.  But you're going to
>have to hammer at me a bit more here (where's that BFH?).  Raymond asked
>this question, and got the reply that follows from David:
>
>>>From: Raymond <[EMAIL PROTECTED]>
>>>
>>>OK you got me curious ... why is the LACK of a fast lens an advantage?
>>
>>From: David Chien:
>>Lots of depth of field with slow lenses, thus no worry or thinking at all
>>about is that in focus or what f/stop do I use.  Can't do it = don't think
>>about it = less to think about in the field.
>
>Is it me, or is there something that isn't computing here when David says,
>"Lots of depth of field with slow lenses..."  And then goes on to say, as 
>my
>feeble reckoning abilities manage to grasp, that there will be less worries
>about focusing because of the slow lense... which again, seems to have,
>"Lots of depth of field..."
>
>Did I mention that it seems that it appears David is saying that slow 
>lenses
>have lots of depth of field?  :-D
>
>Shmatt...

I think David is mistaken or has mistyped. With a slow lens you have lots of 
depth of field *control*: the depth of field is small which means you can 
use it to isolate elements of the composition. However, you must have good 
control of the focus to achieve this. Not what you want for point and click, 
and not what you want when you can't see a viewfinder image with the same 
resolutiuon as the final image.

Of course, one point I didn't mention - the depth of field is also 
proportional to the resolution of the image sensor - if that is low, then 
the depth of field is effectively increased, in that the image is equally 
soft either side of the focus point.

Neil

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