CVSROOT: /cvsroot/lilypond
Module name: lilypond
Branch:
Changes by: Graham Percival <[EMAIL PROTECTED]> 05/08/04 23:32:42
Modified files:
. : ChangeLog
Documentation/user: instrument-notation.itely
ly : bagpipe.ly
Log message:
Bagpipe update.
CVSWeb URLs:
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/ChangeLog.diff?tr1=1.3959&tr2=1.3960&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/Documentation/user/instrument-notation.itely.diff?tr1=1.46&tr2=1.47&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/ly/bagpipe.ly.diff?tr1=1.1&tr2=1.2&r1=text&r2=text
Patches:
Index: lilypond/ChangeLog
diff -u lilypond/ChangeLog:1.3959 lilypond/ChangeLog:1.3960
--- lilypond/ChangeLog:1.3959 Thu Aug 4 15:39:06 2005
+++ lilypond/ChangeLog Thu Aug 4 23:32:42 2005
@@ -1,7 +1,13 @@
+2005-08-04 Graham Percival <[EMAIL PROTECTED]>
+
+ * ly/bagpipe.ly: updated.
+
+ * Documentat/user/intsrument.itely: un-comment out bagpipe example.
+
2005-08-04 Han-Wen Nienhuys <[EMAIL PROTECTED]>
* Documentation/user/instrument-notation.itely (Bagpipe example):
- comment out non-functioning bagpipe exapmle.
+ comment out non-functioning bagpipe example.
(Bagpipe definitions): idem.
* Documentation/topdocs/NEWS.tely (Top): add uniform-stretching example.
Index: lilypond/Documentation/user/instrument-notation.itely
diff -u lilypond/Documentation/user/instrument-notation.itely:1.46
lilypond/Documentation/user/instrument-notation.itely:1.47
--- lilypond/Documentation/user/instrument-notation.itely:1.46 Thu Aug 4
15:39:06 2005
+++ lilypond/Documentation/user/instrument-notation.itely Thu Aug 4
23:32:42 2005
@@ -1928,12 +1928,11 @@
notes in the appropiate octaves, so you do not need to worry about
@code{\relative} or @code{\transpose}.
[EMAIL PROTECTED]
[EMAIL PROTECTED] lypond[raggedright,verbatim,quote,notime]
[EMAIL PROTECTED],verbatim,quote,notime]
\include "bagpipe.ly"
{ \grg G4 \grg a \grg b \grg c \grg d \grg e \grg f \grA g A }
[EMAIL PROTECTED] lilypo nd
[EMAIL PROTECTED] ignore
[EMAIL PROTECTED] lilypond
+
@node Bagpipe example
@subsection Bagpipe example
@@ -1941,8 +1940,7 @@
This is what the well known tune Amazing Grace looks like in bagpipe
notation.
[EMAIL PROTECTED]
[EMAIL PROTECTED] ond[raggedright,verbatim,quote]
[EMAIL PROTECTED],verbatim,quote]
\include "bagpipe.ly"
\layout {
indent = 0.0\cm
@@ -1975,8 +1973,8 @@
\slurd d2
\bar "|."
}
[EMAIL PROTECTED] lilypo nd
[EMAIL PROTECTED] ignore
[EMAIL PROTECTED] lilypond
+
@node Ancient notation
@section Ancient notation
Index: lilypond/ly/bagpipe.ly
diff -u lilypond/ly/bagpipe.ly:1.1 lilypond/ly/bagpipe.ly:1.2
--- lilypond/ly/bagpipe.ly:1.1 Thu Aug 4 21:54:58 2005
+++ lilypond/ly/bagpipe.ly Thu Aug 4 23:32:42 2005
@@ -1,290 +1,290 @@
-%{
- Bagpipe music settings for Lilypond.
- This file builds on work by Andrew McNabb (http://www.mcnabbs.org/andrew/)
-
- Substantial changes and additions made by
- Sven Axelsson, the Murray Pipes & Drums of Gothenburg
- (http://www.murrays.nu)
-
- $Id: bagpipe.ly,v 1.1 2005/08/04 21:54:58 gpercival Exp $
-%}
-
-\version "2.6.0"
-
-% Notes of the scale of the Great Highland Bagpipe. Extra high notes for
bombarde.
-% Flat notes used mainly in some modern music.
-
-pitchnamesBagpipe = #`(
- (G . ,(ly:make-pitch 0 4 NATURAL))
- (a . ,(ly:make-pitch 0 5 NATURAL))
- (b . ,(ly:make-pitch 0 6 NATURAL))
- (c . ,(ly:make-pitch 1 0 SHARP))
- (cflat . ,(ly:make-pitch 1 0 FLAT))
- (d . ,(ly:make-pitch 1 1 NATURAL))
- (e . ,(ly:make-pitch 1 2 NATURAL))
- (f . ,(ly:make-pitch 1 3 SHARP))
- (fflat . ,(ly:make-pitch 1 3 FLAT))
- (g . ,(ly:make-pitch 1 4 NATURAL))
- (gflat . ,(ly:make-pitch 1 4 FLAT))
- (A . ,(ly:make-pitch 1 5 NATURAL))
- (B . ,(ly:make-pitch 1 6 NATURAL))
- (C . ,(ly:make-pitch 2 0 SHARP))
-)
-pitchnames = \pitchnamesBagpipe
-#(ly:parser-set-note-names parser pitchnames)
-
-% Bagpipe music is written in something like D major. If we use
-% flattened notes, the flat should be shown on all instances.
-
-hideKeySignature = {
- % We normally don't want to show the key signature.
- \override Score.KeySignature #'print-function = ##f
- \set Score.extraNatural = ##f
- \set Staff.keySignature = #'((0 . 2) (3 . 2))
- #(set-accidental-style 'forget)
-}
-showKeySignature = {
- % Show the key signature e.g. for BMW compatibility.
- \override Score.KeySignature #'print-function =
#'Key_signature_interface::print
- \set Score.extraNatural = ##f
- \set Staff.keySignature = #'((0 . 2) (3 . 2))
- #(set-accidental-style 'forget)
-}
-
-% Layout tweaks.
-
-\layout {
- \context {
- \Voice
- % All stems go down.
- \override Stem #'direction = #-1
- % All slurs and ties are on top.
- \override Slur #'direction = #1
- \override Tie #'direction = #1
- }
-}
-
-% Some common timing tweaks.
-
-% Sets the autobeamer to span quarter notes only. Use for fast music.
-% TODO: Needs more tweaking
-quarterBeaming = {
- #(override-auto-beam-setting '(end * * * *) 1 4 'Staff)
- #(override-auto-beam-setting '(end * * * *) 1 2 'Staff)
- #(override-auto-beam-setting '(end * * * *) 3 4 'Staff)
- #(override-auto-beam-setting '(end * * * *) 4 4 'Staff)
- #(revert-auto-beam-setting '(end 1 32 2 4 ) 1 8 'Staff)
- #(revert-auto-beam-setting '(end 1 32 2 4 ) 3 8 'Staff)
- #(revert-auto-beam-setting '(end 1 32 4 4 ) 1 8 'Staff)
- #(revert-auto-beam-setting '(end 1 32 4 4 ) 3 8 'Staff)
- #(revert-auto-beam-setting '(end 1 32 4 4 ) 5 8 'Staff)
- #(revert-auto-beam-setting '(end 1 32 4 4 ) 7 8 'Staff)
-}
-halfBeaming = {
- #(override-auto-beam-setting '(end * * 2 2) 1 2 'Staff)
- #(override-auto-beam-setting '(end * * 2 2) 2 2 'Staff)
-}
-% Reels are in allabreve time with half note beaming.
-reelTime = {
- \time 2/2
- \halfBeaming
-}
-% 4/4 marches are written with numerical time signature and with quarter
beaming.
-marchTime = {
- \time 4/4
- \override Staff.TimeSignature #'style = #'()
- \quarterBeaming
-}
-
-% Single grace notes
-grG = { \grace { \small G32 } }
-gra = { \grace { \small a32 } }
-grb = { \grace { \small b32 } }
-grc = { \grace { \small c32 } }
-grd = { \grace { \small d32 } }
-gre = { \grace { \small e32 } }
-grf = { \grace { \small f32 } }
-grg = { \grace { \small g32 } }
-grA = { \grace { \small A32 } }
-
-% Doublings
-dblG = { \grace { \small g32[ G d] } }
-dbla = { \grace { \small g32[ a d] } }
-dblb = { \grace { \small g32[ b d] } }
-dblc = { \grace { \small g32[ c d] } }
-dbld = { \grace { \small g32[ d e] } }
-dble = { \grace { \small g32[ e f] } }
-dblf = { \grace { \small g32[ f g] } }
-% These are the same as the half doublings.
-dblg = { \grace { \small g32[ f] } }
-dblA = { \grace { \small A32[ g] } }
-
-% Half doublings
-hdblG = { \grace { \small G32[ d] } }
-hdbla = { \grace { \small a32[ d] } }
-hdblb = { \grace { \small b32[ d] } }
-hdblc = { \grace { \small c32[ d] } }
-hdbld = { \grace { \small d32[ e] } }
-hdble = { \grace { \small e32[ f] } }
-hdblf = { \grace { \small f32[ g] } }
-hdblg = { \grace { \small g32[ f] } }
-hdblA = { \grace { \small A32[ g] } }
-
-% Thumb doublings
-tdblG = { \grace { \small A32[ G d] } }
-tdbla = { \grace { \small A32[ a d] } }
-tdblb = { \grace { \small A32[ b d] } }
-tdblc = { \grace { \small A32[ c d] } }
-tdbld = { \grace { \small A32[ d e] } }
-tdble = { \grace { \small A32[ e f] } }
-tdblf = { \grace { \small A32[ f g] } }
-tdblg = { \grace { \small A32[ g f] } }
-
-% Shakes
-% A few of these can't really be played and are here only for consistency.
-shakea = { \grace { \small g32[ a d a G] } }
-shakeb = { \grace { \small g32[ b d b G] } }
-shakec = { \grace { \small g32[ c d c G] } }
-shaked = { \grace { \small g32[ d e d G] } }
-shakee = { \grace { \small g32[ e f e a] } }
-shakef = { \grace { \small g32[ f g f a] } }
-shakeg = { \grace { \small A32[ f g a] } }
-shakeA = { \grace { \small A32[ g A a] } }
-
-% Half shakes
-hshakea = { \grace { \small a32[ d a G] } }
-hshakeb = { \grace { \small b32[ d b G] } }
-hshakec = { \grace { \small c32[ d c G] } }
-hshaked = { \grace { \small d32[ e d G] } }
-hshakee = { \grace { \small e32[ f e a] } }
-hshakef = { \grace { \small f32[ g f a] } }
-hshakeg = { \grace { \small g32[ f g a] } }
-hshakeA = { \grace { \small A32[ g A a] } }
-
-% Thumb shakes
-tshakea = { \grace { \small A32[ a d a G] } }
-tshakeb = { \grace { \small A32[ b d b G] } }
-tshakec = { \grace { \small A32[ c d c G] } }
-tshaked = { \grace { \small A32[ d e d G] } }
-tshakee = { \grace { \small A32[ e f e a] } }
-tshakef = { \grace { \small A32[ f g f a] } }
-tshakeg = { \grace { \small A32[ f g a] } }
-tshakeA = { \grace { \small A32[ g A a] } }
-
-% Slurs
-% A few of these can't really be played and are here only for consistency.
-slura = { \grace { \small g32[ a G] } }
-slurb = { \grace { \small g32[ b G] } }
-slurc = { \grace { \small g32[ c G] } }
-slurd = { \grace { \small g32[ d G] } }
-slure = { \grace { \small g32[ e a] } }
-slurf = { \grace { \small g32[ f a] } }
-slurg = { \grace { \small A32[ f a] } }
-slurA = { \grace { \small f32[ a] } }
-
-% Half slurs
-hslura = { \grace { \small a32[ G] } }
-hslurb = { \grace { \small b32[ G] } }
-hslurc = { \grace { \small c32[ G] } }
-hslurd = { \grace { \small d32[ G] } }
-hslure = { \grace { \small e32[ a] } }
-hslurf = { \grace { \small f32[ a] } }
-hslurg = { \grace { \small g32[ a] } }
-hslurA = { \grace { \small A32[ a] } }
-
-% Thumb slurs
-tslura = { \grace { \small A32[ a G] } }
-tslurb = { \grace { \small A32[ b G] } }
-tslurc = { \grace { \small A32[ c G] } }
-tslurd = { \grace { \small A32[ d a] } }
-tslure = { \grace { \small A32[ e a] } }
-tslurf = { \grace { \small A32[ f a] } }
-tslurg = { \grace { \small A32[ f a] } }
-tslurA = { \grace { \small f32[ a] } }
-
-% Catches
-catcha = { \grace { \small a32[ G d G] } }
-catchb = { \grace { \small b32[ G d G] } }
-catchc = { \grace { \small c32[ G d G] } }
-catchd = { \grace { \small d32[ G b G] } }
-catche = { \grace { \small e32[ G d G] } }
-
-% G-grace catches
-gcatcha = { \grace { \small g32[ a G d G] } }
-gcatchb = { \grace { \small g32[ b G d G] } }
-gcatchc = { \grace { \small g32[ c G d G] } }
-gcatchd = { \grace { \small g32[ d G b G] } }
-gcatche = { \grace { \small g32[ e G d G] } }
-
-% Thumb catches
-tcatcha = { \grace { \small A32[ a G d G] } }
-tcatchb = { \grace { \small A32[ b G d G] } }
-tcatchc = { \grace { \small A32[ c G d G] } }
-tcatchd = { \grace { \small A32[ d G b G] } }
-tcatche = { \grace { \small A32[ e G d G] } }
-
-% Throws
-thrwd = { \grace { \small G32[ d c] } }
-Gthrwd = { \grace { \small d32[ c] } }
-gripthrwd = { \grace { \small G32[ d G c] } }
-thrwf = { \grace { \small f32[ e g e] } }
-
-% Birls
-birl = { \grace { \small a32[ G a G] } }
-wbirl = { \grace { \small G32[ a G] } }
-gbirl = { \grace { \small g32[ a G a G] } }
-dbirl = { \grace { \small d32[ a G a G] } }
-
-% Grips
-grip = { \grace { \small G32[ d G] } }
-dgrip = { \grace { \small G32[ b G] } }
-egrip = { \grace { \small G32[ e G] } }
-
-% Taorluaths
-taor = { \grace { \small G32[ d G e] } }
-dtaor = { \grace { \small G32[ b G e] } }
-Gtaor = { \grace { \small d32[ G e] } }
-taoramb = { \grace { \small G32[ d G b e] } }
-taoramc = { \grace { \small G32[ d G c e] } }
-taoramd = { \grace { \small G32[ d G c d e] } }
-
-% Crunluaths
-crun = { \grace { \small G32[ d G e a f a ] } }
-dcrun = { \grace { \small G32[ b G e a f a ] } }
-Gcrun = { \grace { \small d32[ G e G f a ] } }
-crunamb = { \grace { \small G32[ d G b e b f b ] } }
-crunamc = { \grace { \small G32[ d G c e c f c ] } }
-crunamd = { \grace { \small G32[ d G c d e d f d ] } }
-
-% Special piobaireachd notations
-grGcad = { \grace { \small G16 } }
-gracad = { \grace { \small a16 } }
-cad = { \grace { \small g32[ e8 d32] } }
-hcad = { \grace { \small g32[ e8] } }
-dre = { \grace { \small e32[ a f a] } }
-% This is the same as thrwf
-dare = { \grace { \small f32[ e g e] } }
-bari = { \grace { \small e32[ G f G] } }
-dari = { \grace { \small f32[ e g e f e] } }
-pthrwd = { \grace { \small G16[ d32 c] } }
-darodo = { \grace { \small G32[ d G c G] } }
-Gdarodo = { \grace { \small d32[ G c G] } }
-% Non-gracenote piobaireachd markup.
-trebling = \markup {
- \override #'(baseline-skip . 0.3)
- \column {
- \musicglyph #"scripts.tenuto"
- \musicglyph #"scripts.tenuto"
- \musicglyph #"scripts.tenuto"
- }
-}
-% Abbreviated notation common in piobaireachd scores.
-% TODO: Make sure these are put on a fixed Y-position.
-txtaor = \markup { "T" }
-txcrun = \markup { "C" }
-txtaorcrun = \markup { \column { "T" "C" } }
-% TODO: These characters should be shown upside down.
-% Use a postscript markup command for this.
-txtaoram = \markup { "T" }
-txcrunam = \markup { "C" }
-txtaorcrunam = \markup { \column { "T" "C" } }
+%{
+ Bagpipe music settings for Lilypond.
+ This file builds on work by Andrew McNabb (http://www.mcnabbs.org/andrew/)
+
+ Substantial changes and additions made by
+ Sven Axelsson, the Murray Pipes & Drums of Gothenburg
+ (http://www.murrays.nu)
+
+ $Id: bagpipe.ly,v 1.2 2005/08/04 23:32:42 gpercival Exp $
+%}
+
+\version "2.6.0"
+
+% Notes of the scale of the Great Highland Bagpipe. Extra high notes for
bombarde.
+% Flat notes used mainly in some modern music.
+
+pitchnamesBagpipe = #`(
+ (G . ,(ly:make-pitch 0 4 NATURAL))
+ (a . ,(ly:make-pitch 0 5 NATURAL))
+ (b . ,(ly:make-pitch 0 6 NATURAL))
+ (c . ,(ly:make-pitch 1 0 SHARP))
+ (cflat . ,(ly:make-pitch 1 0 FLAT))
+ (d . ,(ly:make-pitch 1 1 NATURAL))
+ (e . ,(ly:make-pitch 1 2 NATURAL))
+ (f . ,(ly:make-pitch 1 3 SHARP))
+ (fflat . ,(ly:make-pitch 1 3 FLAT))
+ (g . ,(ly:make-pitch 1 4 NATURAL))
+ (gflat . ,(ly:make-pitch 1 4 FLAT))
+ (A . ,(ly:make-pitch 1 5 NATURAL))
+ (B . ,(ly:make-pitch 1 6 NATURAL))
+ (C . ,(ly:make-pitch 2 0 SHARP))
+)
+pitchnames = \pitchnamesBagpipe
+#(ly:parser-set-note-names parser pitchnames)
+
+% Bagpipe music is written in something like D major. If we use
+% flattened notes, the flat should be shown on all instances.
+
+hideKeySignature = {
+ % We normally don't want to show the key signature.
+ \override Staff.KeySignature #'print-function = ##f
+ \set Staff.extraNatural = ##f
+ \key d \major
+ #(set-accidental-style 'forget)
+}
+showKeySignature = {
+ % Show the key signature e.g. for BMW compatibility.
+ \override Staff.KeySignature #'print-function =
#'Key_signature_interface::print
+ \set Staff.extraNatural = ##f
+ \key d \major
+ #(set-accidental-style 'forget)
+}
+
+% Layout tweaks.
+
+\layout {
+ \context {
+ \Voice
+ % All stems go down.
+ \override Stem #'direction = #-1
+ % All slurs and ties are on top.
+ \override Slur #'direction = #1
+ \override Tie #'direction = #1
+ }
+}
+
+% Some common timing tweaks.
+
+% Sets the autobeamer to span quarter notes only. Use for fast music.
+% TODO: Needs more tweaking
+quarterBeaming = {
+ #(override-auto-beam-setting '(end * * * *) 1 4 'Staff)
+ #(override-auto-beam-setting '(end * * * *) 1 2 'Staff)
+ #(override-auto-beam-setting '(end * * * *) 3 4 'Staff)
+ #(override-auto-beam-setting '(end * * * *) 4 4 'Staff)
+ #(revert-auto-beam-setting '(end 1 32 2 4 ) 1 8 'Staff)
+ #(revert-auto-beam-setting '(end 1 32 2 4 ) 3 8 'Staff)
+ #(revert-auto-beam-setting '(end 1 32 4 4 ) 1 8 'Staff)
+ #(revert-auto-beam-setting '(end 1 32 4 4 ) 3 8 'Staff)
+ #(revert-auto-beam-setting '(end 1 32 4 4 ) 5 8 'Staff)
+ #(revert-auto-beam-setting '(end 1 32 4 4 ) 7 8 'Staff)
+}
+halfBeaming = {
+ #(override-auto-beam-setting '(end * * 2 2) 1 2 'Staff)
+ #(override-auto-beam-setting '(end * * 2 2) 2 2 'Staff)
+}
+% Reels are in allabreve time with half note beaming.
+reelTime = {
+ \time 2/2
+ \halfBeaming
+}
+% 4/4 marches are written with numerical time signature and with quarter
beaming.
+marchTime = {
+ \time 4/4
+ \override Staff.TimeSignature #'style = #'()
+ \quarterBeaming
+}
+
+% Single grace notes
+grG = { \grace { \small G32 } }
+gra = { \grace { \small a32 } }
+grb = { \grace { \small b32 } }
+grc = { \grace { \small c32 } }
+grd = { \grace { \small d32 } }
+gre = { \grace { \small e32 } }
+grf = { \grace { \small f32 } }
+grg = { \grace { \small g32 } }
+grA = { \grace { \small A32 } }
+
+% Doublings
+dblG = { \grace { \small g32[ G d] } }
+dbla = { \grace { \small g32[ a d] } }
+dblb = { \grace { \small g32[ b d] } }
+dblc = { \grace { \small g32[ c d] } }
+dbld = { \grace { \small g32[ d e] } }
+dble = { \grace { \small g32[ e f] } }
+dblf = { \grace { \small g32[ f g] } }
+% These are the same as the half doublings.
+dblg = { \grace { \small g32[ f] } }
+dblA = { \grace { \small A32[ g] } }
+
+% Half doublings
+hdblG = { \grace { \small G32[ d] } }
+hdbla = { \grace { \small a32[ d] } }
+hdblb = { \grace { \small b32[ d] } }
+hdblc = { \grace { \small c32[ d] } }
+hdbld = { \grace { \small d32[ e] } }
+hdble = { \grace { \small e32[ f] } }
+hdblf = { \grace { \small f32[ g] } }
+hdblg = { \grace { \small g32[ f] } }
+hdblA = { \grace { \small A32[ g] } }
+
+% Thumb doublings
+tdblG = { \grace { \small A32[ G d] } }
+tdbla = { \grace { \small A32[ a d] } }
+tdblb = { \grace { \small A32[ b d] } }
+tdblc = { \grace { \small A32[ c d] } }
+tdbld = { \grace { \small A32[ d e] } }
+tdble = { \grace { \small A32[ e f] } }
+tdblf = { \grace { \small A32[ f g] } }
+tdblg = { \grace { \small A32[ g f] } }
+
+% Shakes
+% A few of these can't really be played and are here only for consistency.
+shakea = { \grace { \small g32[ a d a G] } }
+shakeb = { \grace { \small g32[ b d b G] } }
+shakec = { \grace { \small g32[ c d c G] } }
+shaked = { \grace { \small g32[ d e d G] } }
+shakee = { \grace { \small g32[ e f e a] } }
+shakef = { \grace { \small g32[ f g f a] } }
+shakeg = { \grace { \small A32[ f g a] } }
+shakeA = { \grace { \small A32[ g A a] } }
+
+% Half shakes
+hshakea = { \grace { \small a32[ d a G] } }
+hshakeb = { \grace { \small b32[ d b G] } }
+hshakec = { \grace { \small c32[ d c G] } }
+hshaked = { \grace { \small d32[ e d G] } }
+hshakee = { \grace { \small e32[ f e a] } }
+hshakef = { \grace { \small f32[ g f a] } }
+hshakeg = { \grace { \small g32[ f g a] } }
+hshakeA = { \grace { \small A32[ g A a] } }
+
+% Thumb shakes
+tshakea = { \grace { \small A32[ a d a G] } }
+tshakeb = { \grace { \small A32[ b d b G] } }
+tshakec = { \grace { \small A32[ c d c G] } }
+tshaked = { \grace { \small A32[ d e d G] } }
+tshakee = { \grace { \small A32[ e f e a] } }
+tshakef = { \grace { \small A32[ f g f a] } }
+tshakeg = { \grace { \small A32[ f g a] } }
+tshakeA = { \grace { \small A32[ g A a] } }
+
+% Slurs
+% A few of these can't really be played and are here only for consistency.
+slura = { \grace { \small g32[ a G] } }
+slurb = { \grace { \small g32[ b G] } }
+slurc = { \grace { \small g32[ c G] } }
+slurd = { \grace { \small g32[ d G] } }
+slure = { \grace { \small g32[ e a] } }
+slurf = { \grace { \small g32[ f a] } }
+slurg = { \grace { \small A32[ f a] } }
+slurA = { \grace { \small f32[ a] } }
+
+% Half slurs
+hslura = { \grace { \small a32[ G] } }
+hslurb = { \grace { \small b32[ G] } }
+hslurc = { \grace { \small c32[ G] } }
+hslurd = { \grace { \small d32[ G] } }
+hslure = { \grace { \small e32[ a] } }
+hslurf = { \grace { \small f32[ a] } }
+hslurg = { \grace { \small g32[ a] } }
+hslurA = { \grace { \small A32[ a] } }
+
+% Thumb slurs
+tslura = { \grace { \small A32[ a G] } }
+tslurb = { \grace { \small A32[ b G] } }
+tslurc = { \grace { \small A32[ c G] } }
+tslurd = { \grace { \small A32[ d a] } }
+tslure = { \grace { \small A32[ e a] } }
+tslurf = { \grace { \small A32[ f a] } }
+tslurg = { \grace { \small A32[ f a] } }
+tslurA = { \grace { \small f32[ a] } }
+
+% Catches
+catcha = { \grace { \small a32[ G d G] } }
+catchb = { \grace { \small b32[ G d G] } }
+catchc = { \grace { \small c32[ G d G] } }
+catchd = { \grace { \small d32[ G b G] } }
+catche = { \grace { \small e32[ G d G] } }
+
+% G-grace catches
+gcatcha = { \grace { \small g32[ a G d G] } }
+gcatchb = { \grace { \small g32[ b G d G] } }
+gcatchc = { \grace { \small g32[ c G d G] } }
+gcatchd = { \grace { \small g32[ d G b G] } }
+gcatche = { \grace { \small g32[ e G d G] } }
+
+% Thumb catches
+tcatcha = { \grace { \small A32[ a G d G] } }
+tcatchb = { \grace { \small A32[ b G d G] } }
+tcatchc = { \grace { \small A32[ c G d G] } }
+tcatchd = { \grace { \small A32[ d G b G] } }
+tcatche = { \grace { \small A32[ e G d G] } }
+
+% Throws
+thrwd = { \grace { \small G32[ d c] } }
+Gthrwd = { \grace { \small d32[ c] } }
+gripthrwd = { \grace { \small G32[ d G c] } }
+thrwf = { \grace { \small f32[ e g e] } }
+
+% Birls
+birl = { \grace { \small a32[ G a G] } }
+wbirl = { \grace { \small G32[ a G] } }
+gbirl = { \grace { \small g32[ a G a G] } }
+dbirl = { \grace { \small d32[ a G a G] } }
+
+% Grips
+grip = { \grace { \small G32[ d G] } }
+dgrip = { \grace { \small G32[ b G] } }
+egrip = { \grace { \small G32[ e G] } }
+
+% Taorluaths
+taor = { \grace { \small G32[ d G e] } }
+dtaor = { \grace { \small G32[ b G e] } }
+Gtaor = { \grace { \small d32[ G e] } }
+taoramb = { \grace { \small G32[ d G b e] } }
+taoramc = { \grace { \small G32[ d G c e] } }
+taoramd = { \grace { \small G32[ d G c d e] } }
+
+% Crunluaths
+crun = { \grace { \small G32[ d G e a f a ] } }
+dcrun = { \grace { \small G32[ b G e a f a ] } }
+Gcrun = { \grace { \small d32[ G e G f a ] } }
+crunamb = { \grace { \small G32[ d G b e b f b ] } }
+crunamc = { \grace { \small G32[ d G c e c f c ] } }
+crunamd = { \grace { \small G32[ d G c d e d f d ] } }
+
+% Special piobaireachd notations
+grGcad = { \grace { \small G16 } }
+gracad = { \grace { \small a16 } }
+cad = { \grace { \small g32[ e8 d32] } }
+hcad = { \grace { \small g32[ e8] } }
+dre = { \grace { \small e32[ a f a] } }
+% This is the same as thrwf
+dare = { \grace { \small f32[ e g e] } }
+bari = { \grace { \small e32[ G f G] } }
+dari = { \grace { \small f32[ e g e f e] } }
+pthrwd = { \grace { \small G16[ d32 c] } }
+darodo = { \grace { \small G32[ d G c G] } }
+Gdarodo = { \grace { \small d32[ G c G] } }
+% Non-gracenote piobaireachd markup.
+trebling = \markup {
+ \override #'(baseline-skip . 0.3)
+ \column {
+ \musicglyph #"scripts.tenuto"
+ \musicglyph #"scripts.tenuto"
+ \musicglyph #"scripts.tenuto"
+ }
+}
+% Abbreviated notation common in piobaireachd scores.
+% TODO: Make sure these are put on a fixed Y-position.
+txtaor = \markup { "T" }
+txcrun = \markup { "C" }
+txtaorcrun = \markup { \column { "T" "C" } }
+% TODO: These characters should be shown upside down.
+% Use a postscript markup command for this.
+txtaoram = \markup { "T" }
+txcrunam = \markup { "C" }
+txtaorcrunam = \markup { \column { "T" "C" } }
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