On 3/31/06, Erlend Aasland <[EMAIL PROTECTED]> wrote: > Hi > > > On 3/31/06, Trevor Bača <[EMAIL PROTECTED]> wrote: > > Yeah, you've definitely got the idea; the best examples are in scores > > of Sciarrino's recent music and I'll have time to dig through some > > this weekend and make a few small scans. > > > Great!
OK, yes: If you look in the Sciarrino flute works (which are absolutely incredible pieces, by the way) the circled al-niente / dal-niente markings are an integral part of the surfaces in 'All'aure in una lontananza' and also in the material towards the end of 'Hermes', 'Come vengono prodotti gli incantesimi?' and also 'Canzona di ringraziamento'. One word of warning: the Sciarrino flute works are all hand copy, so we will be able to determine the proper size of the open circles, but we'll have to guess at the ideal weight of the (postscript) line in the electronic version (since the weight of all the lines in the hand copy are equal, save for beams); points again to a settable parameter to afford different choices. The examples towards the end of 'Come vengono ...' are so beautiful. The scanner's in the closet at the moment so I'll have to wait until later this evening to hook it up and send over the examples. -- Trevor Bača [EMAIL PROTECTED]
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