On Tue, Dec 21, 2010 at 12:33 AM, Graham Percival <gra...@percival-music.ca> wrote: > % bad: > c2 d e d | c d e d | c d e d > > % good: > c2 d e d | e f g f | g a b a > > % or even: > c2 d e d | e f g f | g f e d > \break > c2 d e d | e f g f | g c, e d | c1
Why not use quarter-notes? > I don't encourage accidentals or dotted rhythms, but there's a lot > that we can do with simple melodies in C major (or A minor) to > make it easier for people to recognize a particular bar of input > to a particular bar of output. I'm not sure I understand, but: are you suggesting that we match line-breaks in the input with line-breaks in the output? Speaking of simple melodies, you might disapprove of my latest doc addition :-) Cheers, Valentin. _______________________________________________ lilypond-devel mailing list lilypond-devel@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-devel
