Graham Percival <gra...@percival-music.ca> writes:

> Here's a few imaginary ways of writing the same music:
>   \at 4 \< \at 1 \! c'1
>   c'1 y4 y\< y z\!
>   c'1-<< y4 y\< y z\! >>
>   c'1-{ s4 s\< s2 z\! }
>
> Out of these, I'm most comfortable with the last one.

c-d-.

Which one gets the accent?

-- 
David Kastrup

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