c:3.6 is, hands down, the way to do it. I was following the process in the manual, though, so I was defining the chorus (as chorus, how original) and using it in the score block as \chorus in both the Voice and ChordNames contexts. For now, I can split the chorus and hand-insert the chord symbol in ChordNames and the c:3.6 in Voice...
Is there a plan for the future to have lilypond handle inversions in some way that allows voice leading from chord symbols (ie, voice leading whilst using the format suggested in the manual)?
raybro
Han-Wen Nienhuys wrote:
c:3.6
The chord entry is intended for ChordNames, and these usually don't have explicit choices for voicings (so I gather).
_______________________________________________ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
