Hi Urs and David,
Thanks so much. Yes, my chords are in voices so the slurs all face the same
direction accordingly. I was completely unaware of this aspect of engraving. I
had better study more scores and order that copy of Behind Bars!
But then the question becomes transformed - can you tell the tie engraver for a
voice to override its default behaviour, even though that may be technically
incorrect? I have literally several hundred I need to tweak.
Andrew
On 28 April 2015 at 14:55:12, Urs Liska (u...@openlilylib.org) wrote:
Am 28.04.2015 um 03:41 schrieb David Nalesnik:
Hi Andrew,
On Mon, Apr 27, 2015 at 8:34 PM, Andrew Bernard <andrew.bern...@gmail.com>
wrote:
Greetings All,
The tie machinery for ties between chords puts them all one way, up or down,
when using a simple tilde for tying.
The following snippet has one upward tie and two downward ties.
{
<c' e' g'>~ <c' e' g'>
}
If you use \voiceOne, \voiceTwo, etc., the ties will be oriented in the same
direction, as convention would dictate:
{
\voiceOne <c' e' g'>~ <c' e' g'>
}
Is this what's happen with your score? You shouldn't have to adjust the
direction of ties in the majority of cases.
But *if* you have to do it you can still write
{
<c'^~ e'_~ g'^~> <c' e' g'>
}
to conveniently set the direction of the individual ties.
Urs
--David
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