Paul,
Thank you for the jianpu8.ly.I test run with v2.19.19 and I got the following
error.
Starting lilypond-windows.exe 2.19.19 [7-speech+jianpu_8.ly]...Processing
`K:/LILY_POND/7-speech/7-speech+jianpu_8.ly'Parsing...Interpreting
music...C:/Users/Tsang/Dropbox/LP_includes/jianpu8.ly:248:30: In procedure
ly:event-property in expression (ly:event-property event (quote
jianpu-key-sig)):C:/Users/Tsang/Dropbox/LP_includes/jianpu8.ly:248:30: Wrong
type argument in position 1 (expecting Stream_event): #fExited with return code
1.
Immanuel,Ming.
On Tuesday, April 28, 2015 4:20 PM, Paul Morris <p...@paulwmorris.com>
wrote:
Hi David and Ming,
On Apr 25, 2015, at 6:18 PM, Paul Morris <p...@paulwmorris.com> wrote:
However, I see now that really a different approach is needed. Basically whole
notes and half notes should be converted into the equivalent number of quarter
notes, with the first one displayed as a number and the rest as dashes. That
way the spacing will be much better.
I’ve started experimenting with this. It will take using a music function.
This will also allow automatically inserting markups for the octave dots, which
will then make it easier to have beams that span more than one note. So there
are several benefits to this approach.
Attached is a new version (8) that implements this new approach. It seems to
be working well. Spacing is improved, the beams now span more than one note
and they span rests too, octave dots are below beams, a first/rough draft of
Jianpu key signatures is in place, etc.
A music function \jianpuMusic is used to modify the music input. You use it
like this:
\new JianpuStaff \jianpuMusic { % music goes here as usual…}
This music function breaks half and whole notes/rests into quarter notes/rests,
including dotted versions (even pesky double-dotted half notes/rests). “Under
the hood” rests are actually converted into notes so that they can have beams
and flags just like notes do.
The function also transposes the music to C major key signature “under the
hood" which gives us correct octaves and accidentals "for free" -- much simpler
this way. (Because of this you can’t get midi output with \jianpuMusic, you’d
just use a separate score for midi without this music function applied to the
music.)
Ok, that’s enough for now… let me know if you have questions. It seems that
lyrics will need a similar \jianpuLyrics function to work correctly.
Cheers,-Paul
\version "2.19.19"
\language "english"
\include "jianpu8.ly"
\header {
title = "åæ¶ä¸è¨"
subtitle = "7 speech"
% Remove default LilyPond tagline
tagline = ##f
}
\paper {
#(set-paper-size "letter")
}
\layout {
\context {
\Voice
\consists "Melody_engraver"
\override Stem #'neutral-direction = #'()
}
}
globald = {
\key d \major
\numericTimeSignature
\time 3/4
\tempo 4=100
}
globalc = {
\key c \major
\numericTimeSignature
\time 3/4
\tempo 4=100
}
melodyd = {
fs'2. %m01
e'2 a'8. g'16 |%m002
fs'4 fs'2 |%m03
d'4 d''4 cs''8.( b'16) %m04
a'2 b'8. g'16 |%m05
fs'2 e'8 fs'8 |%m06
e'8 b8 d'2 |%m07
a'4 fs'2 |%m08
e'4 fs'4 a'8( g'8) |%m09
fs'2 d''4 |%m10
cs''8( d''8) e''8( d''8) cs''8( b'8) |%m11
a'2. |%m12
d'4 d''2 |%m13
d''4 cs''4 b'8 a'8 |%m14
fs'2. |%m15
d'4 b'2 |%m16
b'4 a'4 g'8 fs'8 |%m17
e'2 a'8( g'8) |%m18
fs'2 fs'8( e'8) |%m19
d'2 d''8( cs''8) |%m20
b'2 b'8( a'8) |%m21
g'2 fs'4 |%m22
e'8 d' cs'( e') cs'( d') |%m23
b2. |%m24
b2 cs'8( e'16 d'16) |%m25
b2 g'8( b'16 g'16) |%m26
fs'2 r4 |%m27
fs'8 fs'4. r4 |%m28
b'4 a'8( g'8) fs'4 |%m29
e'8 d' cs' e' d' cs' |%m30
b2. \bar"|."
}
melodyc = {
e'2. %m01
d'2 g'8. f'16 |%m002
e'4 e'2 |%m03
c'4 c''4 b'8.( a'16) %m04
g'2 a'8. f'16 |%m05
e'2 d'8 e'8 |%m06
d'8 a8 c'2 |%m07
g'4 e'2 |%m08
d'4 e'4 g'8( f'8) |%m09
e'2 c''4 |%m10
b'8( c''8) d''8( c''8) b'8( a'8) |%m11
g'2. |%m12
c'4 c''2 |%m13
c''4 b'4 a'8 g'8 |%m14
e'2. |%m15
c'4 a'2 |%m16
a'4 g'4 f'8 e'8 |%m17
d'2 g'8( f'8) |%m18
e'2 e'8( d'8) |%m19
c'2 c''8( b'8) |%m20
a'2 a'8( g'8) |%m21
f'2 e'4 |%m22
d'8 c' b( d') b( c') |%m23
a2. |%m24
a2 b8( d'16 c'16) |%m25
a2 f'8( a'16 f'16) |%m26
e'2 r4 |%m27
e'8 e'4. r4 |%m28
a'4 g'8( f'8) e'4 |%m29
d'8 c' b d' c' b |%m30
a2. \bar"||"\break
}
verse = \lyricmode {
ç¶ å! 赦 å
ä» å, å çº ä» å æ ä½ ç, ä» å ä¸ æ å¾.
%{æ 實 å¨ å 訴 ä½ , %} ä» æ¥ ä½ è¦ å æ å¨ æ¨ å 裡 äº.
æ¯ è¦ª ç ä½ ç å
å, (é å¾) ç ä½ ç æ¯ è¦ª.
æ ç ç¥ åª! æ ç ç¥ åª! çº ç 麽 é¢ æ£ æ!
æ 渴 äº!
æ äº!
ç¶ å! æ å° æ é é 交 å¨ ç¥¢ æ 裡.
}
\score {
<<
%\jianpuVoice
\new JianpuStaff \jianpuMusic
{ \globald \melodyd }
%\new ChordNames \chordNames
\new Staff { \globald \melodyd }
\addlyrics { \verse }
>>
\layout { }
\midi { }
}
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