Hello Ponderers,
My score has many places where a beamed set of grace notes start precisely on a
note in a voice, and consequently overlap the first starting note. This is
fine, and what the composer specifically intends (common notation in the New
Complexity School). The attached image shows a snippet of a typical scenario.
In my example, I can’t get the start of the grace to sit on top of the note in
the other voice. Indeed, lilypond is being very excellent about avoiding a
collision, but I want to persuade it to align. I can achieve this with normal
notes, but not with grace notes. Is this even remotely possible?
\version "2.19.25"
treble = {
\clef treble
\time 1/4
s4
}
bass = {
\clef bass
\time 1/4
\stemDown
<<
{
cis,,16. b,,8 d,32
}
\new Voice
{
s16. s8 s32
\grace {
\bar ""
\once \override NoteColumn.force-hshift = #-1 % no effect
d,8
bes,
\change Staff = "treble"
\stemDown
e'
\bar "|"
} |
}
>>
\oneVoice
}
\score {
\new PianoStaff
<<
\new Staff = "treble" { \treble }
\new Staff = "bass" { \bass }
>>
\layout { }
}
Andrew
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