On 09/08/2015 11:34 PM, Keith OHara wrote: > Your second setting, using two Voices in the upper staff, with output > that matches the printed score, is the way to go. > > What you think of as one logical voice, the one with the chords, is > split across the pianists two hands. Piano music always prints this > in a way that looks like separate voices, so it is best to use separate > LilyPond Voice contexts. If you join the chord across the staves, > the reader will think it is a recommendation to play the chord with a > single hand, which is not the best way to perform this piece.
Thank you: that explains a lot. —Joel _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
