Hi,
Here's a fairly simple hack:
\version "2.19.32"
\new Staff {
R1
<<
\new Voice = "1" {
\voiceOne
g'2 <e' \tweak duration-log #1 f'>4*2
}
\new Voice = "2" {
\voiceTwo
e'2 <e' b>4~ <dis' b>
}
>>
R1
}
Cheers,
Pierre
2016-01-01 2:16 GMT+01:00 Andrew Bernard <andrew.bern...@gmail.com>:
> Hi Cynthia,
>
> If you remove all the overrides and leave it as is you get a more legible
> effect in my view. As Keiran says, the example you show is a strange
> engaving choice. In general it’s better to avoid stems on the other side in
> this particular sort of case unless there are strong musical and graphical
> reasons for it. For simple polyphony, this just looks confusing to the
> player. This is fine:
>
> \version "2.19.32"
>
> \new Staff {
> R1
> <<
> \new Voice = "1" {
> \voiceOne
> g'2 f'
> }
> \new Voice = "2" {
> \voiceTwo
> e’2 <e' b>4~ <dis' b>
> }
> >>
> R1
> }
>
>
> If you do want to do it, there is a more generalised solution for moving
> noteheads in relation to the stem at LSR:
>
> http://lsr.di.unimi.it/LSR/Item?id=861
>
> Andrew
>
>
> _______________________________________________
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
