Am 26.01.2016 um 13:57 schrieb Sharon Rosner: >> Of course a good musician needs to focus on every detail, but only the > "bad" ones neglect the bigger >> context. > What like Florence Foster Jenkins-type bigger context? > >> The key is to focus on the "right" thing, which is in many cases NOT every >> single note of an >> chromatic scale, IMO. > So what *is* the right thing? The first and last notes? :-)
As said earlier, I'm not convinced about the original suggestion. But the right thing is obviously: - a chromatic scale with - starting and ending pitch - immediate recognition of exceptions to the pattern (i.e. whole steps) Urs > Sharon > > > > -- > View this message in context: > http://lilypond.1069038.n5.nabble.com/simplifying-chromatic-scale-notation-tp186415p186452.html > Sent from the User mailing list archive at Nabble.com. > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
