Thanks, just downloaded, I'll take a close look. Cheers, Pierre 2016-07-19 19:31 GMT+02:00 Mark Stephen Mrotek <carsonm...@ca.rr.com>:
> Pierre, > > > > Arnold Dolmetsch in his *The Interpretation of the Music of the 17th and > 18th Centuries*, provides a list of “signs” with examples of execution. > > > > Mark > > > > *From:* lilypond-user [mailto:lilypond-user-bounces+carsonmark= > ca.rr....@gnu.org] *On Behalf Of *Pierre Perol-Schneider > *Sent:* Tuesday, July 19, 2016 1:06 AM > *To:* Andrew Bernard <andrew.bern...@gmail.com> > *Cc:* Michael Rivers <michaeljriv...@gmail.com>; lilypond-user < > lilypond-user@gnu.org> > *Subject:* Re: 17th century English kbd ornaments > > > > BTW, I found this : http://home.insightbb.com/~cratonkiwi/music/orn3.jpg > > Are these glyphs and explanation accurate? > > (Actually, the example taken to draw my glyph was: > http://imslp.nl/imglnks/usimg/c/c7/IMSLP351896-PMLP568401-Purcell_CorantZ644.pdf > ) > > Cheers, > > Pierre > > > > 2016-07-19 9:49 GMT+02:00 Pierre Perol-Schneider < > pierre.schneider.pa...@gmail.com>: > > Or even: > > shake = > -\tweak stencil #(lambda (grob)(grob-interpret-markup grob > purcell-shake-glyph)) > \trill > > Cheers, > > Pierre > > > > 2016-07-19 9:44 GMT+02:00 Pierre Perol-Schneider < > pierre.schneider.pa...@gmail.com>: > > Hi Andrew, > > Interesting question. > > I'm not familiar with Purcell's work but what I found on IMSLP was that > this shake is used as (e.g.) a trill. > > So how about : > > \version "2.19.45" > > purcell-shake-glyph = > \markup\stencil > #(make-path-stencil > '(M -0.20 0.05 L 1.55 0.51 M -0.31 0.43 L 1.45 0.90) > 0.17 1 1 #f) > > shake = > #(define-event-function () () > #{ > -\tweak stencil #(lambda (grob)(grob-interpret-markup grob > purcell-shake-glyph)) > \trill #}) > > %% Test: > { > a'\shake > } > > Cheers, > > Pierre > > > > 2016-07-19 2:34 GMT+02:00 Andrew Bernard <andrew.bern...@gmail.com>: > > Hi Pierre, > > > > Wouldn’t it be better to do these are actual ornaments instead of just > markup? I say this because there is a page on the lilyond blog regarding > this, but it is only partially complete. If we did them as ornaments the > possibility would arise of being able to use them to set English Virginal > Music which uses the slash and double slash, through the stem, extensively > - although as folks have noted, nobody really knows what they mean. > > > > Since I am a harpsichord player I am one day going to do all the many > varieties of the French keyboard ornaments, a rich and flowering garden, so > I have just now taken an interest in this thread. > > > > Andrew > > > > > > > > >
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