On Sat 14 Jan 2017 at 11:47:49 (+0100), Gianmaria Lari wrote: > > \repeat unfold is not evaluated at all. It stays a repeat expression > > until it gets interpreted. One reason it is implemented that way is in > > order to keep the repeats in > > > > \relative c' { \repeat unfold 4 { c e g } } > > > > in the same octave rather than get > > > > \relative c' { c e g c e g c e g c e g } > > > > which crosses four octaves. > > I understand this pragmatism. It is clear that in a piece when you write > something like > > \relative c' { > ....somemusic..... > \repeat unfold 4 { c e g } > ....somemusic..... > } > > > you expect to repeat {c e g} on the same octave. If you don't do it, > \relative became a command pretty unusable. > > But the side effect of this semantic choice looks very important to me. > We're introducing a strong exceptional behavior, don't we? > For me (this is my opinion, and of course I'm not a lilypond/musician etc. > expert) I would prefer force the user to write > > \version "2.19.54" > { > \repeat unfold 2 \relative c' {c e g} > } > > > rather than lost the orthogonality of the language. > Just my two cents.
I'm feeling shortchanged. What side effect and exceptional behaviour? The orthogonality between what and what? Cheers, David. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user