Hi David, > That seems to work perfectly.
Glad to hear it. > I'll experiment a bit with the 2 VerticalAxisGroup settings, to see if > I can understand the effect each of them has, for my greater understanding! Excellent. Speaking of greater understanding… Here is a version in which I use variables — if there really are no differences in pitches (only octaves), this approach (which I actually recommend in every piece!) might save you some effort and make your code far more easily maintained: \version "2.19.48" \language "english" \layout { \context { \Lyrics \override VerticalAxisGroup.staff-affinity = #CENTER \override VerticalAxisGroup.nonstaff-relatedstaff-spacing.padding = #1.5 } } the_notes = { g2 g a1 g2 g a1 \bar "|." } the_lyrics = \lyricmode { Words just right! Words just right! } \new StaffGroup << \new Staff \new Voice = "upper" { \clef "bass" \the_notes } \new Lyrics \lyricsto "upper" \the_lyrics \new Staff = "lower" { \clef "bass" \transpose c c, \the_notes } >> Best, Kieren. ________________________________ Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ email: i...@kierenmacmillan.info _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user