Am 28.03.2017 um 11:09 schrieb Menu Jacques:
- should there be only one set of quarter rests under (CT.) in the
lower staff, and if so, how can that be done (i.e. to « mask » a rest
in a voice if there’s already one at the same point in another voice
in the same staff)? Finale does so;
- would it be better to swap voices for the f and a quarter notes in
the last measure (Finale does so too). I’m no keyboard player
unfortunately, and I guess that players don’t take voices numbers into
account as we do when using Lilypond or other scoring software.
Is this supposed to be a keyboard arrangement? Then make it a real
keyboard arrangement, w.r.t clefs and simplifying polyphony &c.
If it’s not – this is no keyboard music (there was (almost) no real
keyboard music at Binchois’ time). Music from that time should _never_
have two vocal parts sharing one staff. Also, definitely don’t eliminate
any voice-crossings if you don’t intend to make an arrangement.
Best, Simon
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