Dear Karl, Werner and All, Thanks Karl these are two points.
Also stretching the score is really a poit in concert (not mentionned that another aproach of the matter is recommended from pedagogists). I had a try with OO-calc and OO-writer, the score reduces to half of traditional score, and more is even possible. This is huge. Vierne's Toccata has 8 pages, these are 3 turns, quite difficult to manage. in TAB this would be 4 letter-pages, that fits on the musik stand. No turns. Of course a musician can and should learn by heart, but the stressing life doesnt allow to learn everything by heart. And I dont want to work anymore with assistants. For programming, I am definitely not the man. Thats why I would pay. Anyway, the end of the year is at the door, so I wish all a good start in 2018. Francois<div id="DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2"><br /> <table style="border-top: 1px solid #D3D4DE;"> <tr> <td style="width: 55px; padding-top: 18px;"><a href="http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail" target="_blank"><img src="https://ipmcdn.avast.com/images/icons/icon-envelope-tick-green-avg-v1.png" alt="" width="46" height="29" style="width: 46px; height: 29px;" /></a></td> <td style="width: 470px; padding-top: 17px; color: #41424e; font-size: 13px; font-family: Arial, Helvetica, sans-serif; line-height: 18px;">Libre de virus. <a href="http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail" target="_blank" style="color: #4453ea;">www.avg.com</a> </td> </tr> </table> <a href="#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2" width="1" height="1"></a></div> 2017-12-29 7:35 GMT-05:00, k...@aspodata.se <k...@aspodata.se>: > Werner: > ... >> ??? Are you really trying to reactivate Neue Deutsche Orgeltabulatur, >> three hundred years after it was abandonded? > > There can be multiple reasons why one would do that: > > . the somewhat academic point in being able to do that > > . when transcribing things I've found that that is easier if I first > can get something that looks similar with the piece I'm transcribing, > and then convert it into something a performer would like > > . the notation suited the performers at that time (1550-1700), so > there might be some value in beeing able to understand why they used it > and beeing able to use it oneself, and for that end, beeing able to > make a cleaner version of a source tabulature > > Regards, > /Karl Hammar > > ----------------------------------------------------------------------- > Aspö Data > Lilla Aspö 148 > S-742 94 Östhammar > Sweden > +46 173 140 57 > > > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user