Lucas Werkmeister <m...@lucaswerkmeister.de> writes: > Hello, > > I am trying to transcribe a piano composition from the late 19th > century, staying as faithful to the original score as possible. At two > points in this score, the right hand is set in bass clef for two bars, > and one of those sections is across a line break, similar to this tiny > example: > > \version "2.18.2" > { > c'1 | > \cueClef "bass" f | \break > g \cueClefUnset | > c' | > }
Uh, why are you using cue clefs here instead of regular clefs? This is no cue at all. > However, Lilypond begins the second line with a regular-size treble clef > and a smaller cue bass clef after it, whereas the original score has the > line beginning with a full bass clef, as if a permanent clef change had > occured (even though the next bar changes into treble clef again). A "permanent" clef change _has_ occured and _played_ notes are affected. Just use \clef instead of \cueClef and you should be fine. -- David Kastrup _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user