On 30.03.2018 01:21, Karlin High wrote:
On 3/29/2018 3:16 PM, Ali Cuota wrote:
in IMSLP the big e-minor prelude from Nikolaus Bruhns exists in pdf,
with a reference to Mutopiaproject. In Mutopia, Bruhns ist not
(anymore) in the composers list.
I would be happy to have the source file if possible.
Archive.org is an amaaaaazing service!
<https://web.archive.org/web/20051111074129/http://www.mutopiaproject.org:80/cgibin/make-table.cgi?Composer=BruhnsN>
So is convert-ly: version 1.3.117->2.19.80 worked pretty well.
And then I did a run of Frescobaldi’s (python-ly’s) auto-formatting, and
corrected a whole lot of things manually, but just in terms of coding:
\new instead of \context
use \voiceXXX commands
remove unnecessary overrides
use \tempo instead of \mark "Adagio" &c.
And lastly I took the single liberty of correcting g natural in m.12 to
g sharp – I’m quite certain that that’s a typo.
What I did not fix:
Unnecessary R R R instead of R*x
Unnecessarily complicated durations like R1*24/16
That would be an important step before recontributing to Mutopia.
Also, I made no changes to staff distribution &c.
Best, Simon
%%%%%
%
% Nicolaus Bruhns: Prelude and Fugue in E Minor
%
% My apologies to anyone who has the misfortune of having to read and try to
% make sense of this source file. My quest to duplicate the polyphony of the
% original score has made for an ugly mess of many different voices. The
% idea in general is this:
%
% 1. bass.1 and treble.1 are the upstem voices on their respective staves,
% and bass.2 and treble.2 are the downstem voices. Most of the time.
% 2. bass.3 and treble.3 are used when a third voice is present.
% 3. all tempo markings and time signature changes are in "global"
%
% If someone knows of a better way to achieve the same effect, please let me
% know!
%
% Other notes:
% 1. When the paper is set to "letter," lilypond makes terrible use of the
% page, leaving a big space across the bottom (it seems there's just
% barely too little space to put another system)
% 2. Lilypond doesn't know how to auto-beam funny time signatures like
% 18/16, and when I input it I didn't know how to set up custom
% auto-beaming, so I put in all the beams for those sections explicitly
% 3. [In its current form, compiling this score results in several "too
% many notes for rest collision" and "too many colliding rests"
% warnings. They're not resolved because I don't know how to resolve
% them. I think perhaps I read once that it's possible to manually
% position rests, but I don't know how to do it.]
% (fixed sja 2018)
%
% -- Joshua Haberman <jos...@haberman.com>, March 2001
%
%%%%%
\header {
title = "Prelude and Fugue in E Minor"
source = "Peters Urtext"
composer = "Nicolaus Bruhns (1665-1697)"
enteredby = "jmh"
copyright = "Public Domain"
footer = "Mutopia-2000/12/23-56"
maintainer = "jos...@haberman.com"
lastupdated = "2000/Dec 23"
}
\version "2.19.80"
\include "english.ly"
global = {
\key e \minor
\time 4/4
\skip 1*5
\time 18/16
\skip 1*5*18/16
\time 4/4
\skip 1*2
\time 12/8
\skip 1*3*12/8
\time 4/4
\skip 1*5
\bar "||"
\skip 1*60
\bar "||"
\skip 1*3
s2 s4 \tempo "Adagio" s4 |
\skip 1*4
s2 s4 \tempo "Adagio" s4 |
\time 12/8
\skip 1*5*12/8
\time 6/8
\skip 1*17*6/8
\time 3/2
\skip 1*8*3/2
\tempo "Presto"
\skip 1*6*3/2
\time 4/4
s2 \tempo "Adagio" s2 |
\skip 1*5
\time 12/8
\skip 1*23*12/8
\time 24/16
\skip 1*7*24/16
\bar "|."
}
treble.1 = \new Voice = "one" \relative c'' {
\oneVoice
R1 |
R |
r2 \voiceOne r8 e16 ds e ds e ds |
e ds e ds e ds e ds e ds e ds e ds e ds |
e1 |
%%5
r4. r16 e[ b cs d e ] d4. |
c8[ b16 a gs a ] b4. ~ b16[ a b gs a b ] |
r c[ a g fs e ] r a[ b c b a ] b4. |
r16 b[ c d! c b ] c[ b cs d cs b ] cs[ cs d e d cs ] |
d[ cs ds e ds cs ] ds[ ds e fs e ds ] e8 r r |
%%10
r8 g, gs4 a b16 c d8 |
c4 gs a \oneVoice r32 gs a b c d e f |
e4 a, 8 f'4 a,8 e' d c d c b |
c4. d c8 b a f' e d |
e d c d c b c b a b a gs |
%%15
\voiceOne a2 r4 r8 a16 ~ a64 g fs e |
r4 r8 b'16 ~ b64 a g fs r8 e'8 ~ e4 |
r4 r16 e fs g e2 ~ |
e4. g32 fs e16 ds4. ds8 |
e1 |
%%20
e,2 b' |
as a |
gs g |
fs d' |
cs b ~ |
%%25
b as |
b r4 g8 c |
fs, fs fs fs b4 r8 b8 |
e, e e e a a a a |
ds,4 ~ ds16 ds e fs
b,4
b' |
%%30
a4. b8 c2 |
fs,1 |
g8 a16 b g8. fs16 fs4 r4 |
r fs' cs2 |
e b4 ~ b8. as32 b |
%%35
cs4 ~ cs16 b as gs fs4 b |
as2 b |
cs1 |
d4 ds e g,8. a16 |
b2 r4 fs' |
%%40
e2. a,4 |
b2 ~ b8 b16 a g fs e8 |
a2 g4. g32 fs g a |
b2 ~ b8. c16 a8. g16 |
g2 ~ g16 a g a b4 |
%%45
fs2 ~ fs8 fs16 b fs8. gs16 |
a2 ~ a8. g16 fs g a8 |
ds,2 e ~ |
e ds |
e r |
%% 50
R1*5 |
%% 55
b'2 e |
ds d |
cs c |
b g' |
fs e ~ |
%% 60
e ds |
e4 e2 d8 g |
cs, cs cs cs fs4 ~ fs16. e32 ds cs b16 |
b8 b b b e e e16. d32 cs b as16 |
as4 r r b |
%% 65
as2 b |
cs1 |
d4 ds e4. d16 e |
fs2 ~ fs4. fs8 |
g2 ~ g4. fs8 |
%% 70
fs4 ~ fs16 e ds cs r4 e ~ |
e ds e4. fs8 |
g4 ~ g16 a g fs fs4. e16 fs |
e2 ~ e4 s8 e |
fs2 ~ fs4 s8 e |
%% 75
e2 ~ e4 s8 < b d > |
d4. cs16 d e2 |
e d4. d32 cs b16 |
cs1 |
b |
%% 80 - double bar
R1
r 4 r8. fs16 b4 r |
b8 r b r b r b[ r16 a ~ ] |
a2 ~ a8 a16 b a8. g16 |
g4. ~ g32 a g fs g16 b, ds e \oneVoice r4 |
%% 85
r4 r8. e16 a4.^\mordent e16^\prall d |
r4 r8. e16 a4^\mordent r |
a8 r a r a r a[ r16 g ~ ] |
g2 ~ \voiceOne g8 g16 a g8. fs16 |
r8. d'16 a8 b8. c16 b8 a4 a8 d8. e16 d8 |
%% 90
d4 g,8 c8. d16 c8 c4 fs,8 b8. c16 b8 |
b8. e16 a,8 a8. g16 a8 b4 g8 d'8. e16 d8 |
d4 g,8 c8. d16 c8 c4 fs,8 b8. c16 b8 |
b8. e16 a,8 a8. g16 a8 b4 r8 r4 r8 |
r32 b d b r b d b r b d b r a ds a r a ds a r a ds a |
%% 95
r b e b r b e b r b e b r b fs' b, r b fs' b, r b fs' b, |
r b g' b, r b g' b, r b g' b, r c fs c r c fs c r c fs c |
r b e b r b e b r b e b r a ds a r a ds a r a ds a |
r b e b r b e b r b e b r a d! a r a d a r a d a |
r g c g r g c g r g c g r fs b fs r fs b fs r fs b fs |
%% 100
r e b' e, r e b' e, r e b' e, r e as e r e as e r e as e |
r ds b' ds, r ds b' ds, r ds b' ds, r g b g r g b g r g b g |
r fs b fs r fs b fs r fs b fs r b e b r b e b r b e b |
r b ds b r b ds b r b ds b r b g' b, r b g' b, r b g' b, |
r b fs' b, r b fs' b, r b fs' b, r b e b r b e b r b e b |
%% 105
r b ds b r b ds b r b ds b r b ds b r b ds b r b ds b |
r b e b r b e b r b e b r b e b r b e b r b e b |
r b ds b r b ds b r b ds b r b ds b r b ds b r b ds b |
r b e b r b e b r b e b r b e b r b e b r b e b |
r b ds b r b ds b r c e c r b e b r b e b r b ds b |
%% 110
< b e >8 s8 s s4. |
\oneVoice R1*3/2 |
R1*3/2 |
R1*3/2 |
r2 \voiceOne d ds |
%% 115
\oneVoice r \voiceOne e es |
\oneVoice r \voiceOne fs1 |
\oneVoice r2 \voiceOne fs g |
\oneVoice r \voiceOne ds1 |
\oneVoice r2 \voiceOne fs fs |
%% 120
g1 ~ g4. fs16 g |
fs1 ~ fs4. e16 fs |
g1 ~ g4. fs16 g |
fs1 ~ fs4. e16 fs |
g1 ~ g4. fs16 g |
%% 125
fs4 r r16 < ds b > r16 < ds b > r16 < ds b > r16 < ds b > |
r < e b > r < e b > r < e b > r < e b >
r < e b > r < e b > r < e b > r < e b > |
r < as, e' > r < as e' > r < as e' > r < as e' >
r < a e' > r < a e' > r < a e' > r < a e' > |
r < b e > r < b e > r < b e > r < b e >
r < cs e > r < cs e > r < cs e > r < cs e > ~ |
e4 ds r r8 < cs e > |
%% 130
e2 ds |
e4 b8 g8. fs16 e8 r r e' ~ e ds4^\prall |
e8 b cs d!4. r8 r d cs fs4 |
d8 ds4 e4. r8 r e fs4 fs16. e64 fs |
g8. fs16 e8 fs b, r r r d cs4 fs8 |
%% 135
d4. cs8. d16 cs d e8. as,16 b8 d cs8. d16 |
b8 e ds e4 r8 r r b a16 b b8. a16 |
g4. fs4 r8 r r g cs,! fs8. e16 |
ds8. e16 fs8 g4 r8 r r g fs4 g8 |
a g fs g fs8. e16 e4 r8 r4. |
%% 140
r4. r8 r e' ds8. cs16 b8 e8. fs16 g8 |
fs4 fs8 ds8. cs16 b8 e4. ~ e4 e8 |
cs8. b16 a8 d4. ~ d4 d8 b8. a16 g8 |
c4. b8. a16 b8 a8. b32 c d8 c8. b16 c8 |
b4 r8 r4. d8. c16 b8 a4 d8 |
%% 145
b8. cs16 b cs d4. a'8. g16 fs8 e4 a8 |
fs8. e16 fs8 g4 r8 r2. |
r r8 b,8 cs d4 r8 |
fs8. e16 d8 cs4 fs8 d ds4 e r8 |
r r g fs8. g16 fs g a8 e fs g fs8. g16 |
%% 150
e4 \oneVoice r8 r4. r8 r \voiceOne e32 fs g16 fs8. g16 fs g |
a8 e fs g fs8. e16 e4 \oneVoice r8 r4. |
r8 r \voiceOne g fs8. g16 fs g a8 e fs g fs4 |
\oneVoice R1*12/8 |
s4. r r8. \voiceOne ds \oneVoice r4. |
%% 155
r \voiceOne ds16[ e fs ] ds8. e2. |
\oneVoice r8. r16 r b e8[ d!16 ] b[ e, ] r16 r8. r16 r b' e8[ d16] \voiceOne b[ e, d'] |
c8.[ b ] a8.[ ~ a16 a gs ] a8[ e'16 ]
c16.[ b32 a16 ~ ] a8[ e'16 ] c16.[ b32 a16 ~ ] |
a8[ e'16 ] c16.[ b32 a16 ~ ] a8[ e'16 ]
c16.[ b32 a16 ~ ] a8[ e'16 ] c16.[ b32 a16 ] gs8.[ a] |
b4. r16 r e, a16.[ b32 a16 ] r r b d16.[ e32 d16 ] c8.[ b ] |
r16. b32[ e16 ] ds16.[ cs32 ds16] e16.[ b32 e16] ds16.[ cs32 ds16]
e16.[ b32 e16] ds16.[ cs32 ds16] e4.^\fermata |
}
treble.2 = \new Voice = "two" \relative c'' {
\voiceTwo
s1 |
s |
s2 r16 b8 a16 b a b a |
b a b a b a b a b a b a b a b a |
b1 |
%%5
r16 e[ d c b a ] gs4. ~ gs16[ fs gs e fs gs ] |
a4 r8 r16 e[ b cs d e ] d4. |
e ds r16 fs[ g a g fs ] |
g8 gs4 a2. ~ |
a g8 r r |
%%10
r8 e e4 e2 |
e4 d c s |
s1*12/8 |
s1*12/8 |
s1*12/8 |
%%15
e2 e8 e ~ e16 e8. |
ds8 ds ~ ds4 e2 |
r2 r4 cs' |
b1 |
< b g >
%%20
s1 |
s |
s |
s |
s |
%%25
s |
b,2 e |
ds d |
cs c |
b g' |
%%30
fs e ~ |
e ds |
e8 b e2 d8 g |
cs, cs cs cs fs4. fs8 |
b, b b b e e e e |
%%35
as,4 r r fs' |
e4. fs8 g2 |
e fs ~ |
fs e |
r4 b' fs2 |
%%40
a e |
fs4 ~ fs16 e ds cs b4 e |
ds2 e |
fs1 ~ |
fs4 ~ fs16 b, cs ds e2 ~ |
%%45
e4. ds16 e ds2 |
e2. r4 |
\tweak staff-position -6 R1 |
\tweak staff-position -8 R |
e2 b' |
%%50
as a |
gs g |
fs d' |
cs b ~ |
b as |
%% 55
b4 g2 g8 c |
fs, fs fs fs b4. b8 |
e, e e e a a a a |
d,4 r r b'8 e |
a,4. b8 c4 ~ c16 b a g |
%% 60
fs2. b8. a16 |
g8 a16 b g8. fs16 fs4 b |
r fs cs2 |
e b |
cs4 ~ cs16
\change Staff = bass \voiceOne
b as gs fs4
\change Staff = treble \voiceTwo
fs' |
%% 65
e4. fs8 g2 |
e fs ~ |
fs g4 b8 g |
a1 |
g2 e4 a |
%% 70
fs r b2 ~ |
b4 b2 a4 |
b1 ~ |
b2 ~ b4 r8 a |
a2 ~ a4 r8 g |
%% 75
fs2 ~ fs4 r8 fs |
fs2 e |
fs gs |
fs1 |
fs |
%% 80 - double bar
r4 r8. fs16 b4. fs16 e |
ds fs b, ds fs b,
\change Staff = bass \voiceOne
b,8
\change Staff = treble \voiceTwo
r4 r8 r32 g'' fs e |
ds16 fs b, cs ds fs b, cs ds fs b, cs ds fs b,8 |
r2 r16 fs'8. ~ fs16 fs fs fs |
e4. ~ e32 fs e ds e8 r s4 |
%% 85
s1 |
s |
s |
s2 r16 e8. ~ e16 e e e |
d4 r8 d4 r8 d4 r8 r r < fs a > |
%% 90
< e g b >4 r8 r r < e g > < d fs a >4 r8 r r < d g > |
e4 e8 d4. d4 r8 r r < fs a > |
< e g b >4 r8 r r < e g > < d fs a >4 r8 r r < d g > |
e4. d d4 s8 s4 s8 |
g8 g g fs fs fs |
%% 95
g g g ds ds ds |
e e e a a a |
g g g fs fs fs |
g g g fs fs fs |
e e e d d d |
%% 100
c c c cs cs cs |
b b b e e e |
ds ds ds g g g |
fs fs fs e e e |
ds ds ds g g g |
%% 105
fs fs fs fs fs fs |
g g g g g g |
fs fs fs fs fs fs |
g g g g g g |
fs fs g fs fs fs |
%% 110
< e g > \oneVoice r r r4. |
s1*3/2 |
s1*3/2 |
s1*3/2 |
s2 \voiceTwo fs fs |
%% 115
s e b' |
s < fs as >1 |
s2 fs e |
s < fs b >1 |
s2 b b |
%% 120
b1. ~ |
b1. ~ |
b1. ~ |
b1. ~ |
b1. ~ |
%% 125
b4 r r16 fs r fs r fs r fs |
r e r e r e r e r e r e r e r e |
r e r e r e r e r e r e r e r e |
r gs r gs r gs r gs r g r g r g r g ~ |
g4 fs r r8 g |
%% 130
< fs b >1 |
<e g >4 r8 r4. r2. |
r8 r e d8. cs16 b8 r r b' ~ b as4 |
b4 fs8 g4. r8 r g a b4 |
b4. ~ b4 r8 r r fs g fs4 ~ |
%% 135
fs4. g8 fs4 e4. fs4 e8 |
ds g fs g4 r8 r r g fs4. |
e8 b cs d!4 r8 r2. |
\change Staff = bass \voiceOne
r8 r b g8. fs16 e8
\change Staff = treble \voiceTwo
r8 r e' ~ e ds4 |
e4. ~ e8 ds4 b s8 s4. |
%% 140
r8 r b' g8. fs16 e8 r r b' b4. ~ |
b4 r8 r r b b8. cs16 d8 cs4 r8 |
r r a a8. b16 c8 b4 r8 r r g |
g4. ~ g ~ g4 r8 r r fs |
g4 s8 s4. r2. |
%% 145
r8 r g fs8. e16 d8 r r d' ~ d cs4 |
d4. ~ d8. c!16 b8 d8. c16 b8 a4 d8 |
g,4 c8 fs,4 b8 g4. fs4 r8 |
r r fs g fs4 ~ fs8 fs4 g r8 |
r r e' e ds4 e4. e8 ds4 |
%% 150
e4 s8 s4. s8 s e8 ~ e ds4 |
e4. ~ e8 ds4 e s8 s4. |
s8 s e8 ~ e ds4 e4. ~ e8 ds4 |
s1*12/8 |
ds16[ e fs ] ds[ cs b ] s4. s8. b s4. |
%% 155
s4. r8. r16 cs[ b ] b2. |
s4. s s s8. s16 s b ~ |
b8[ a16 ~ ] a[ fs gs ] r16 r e d8. e r e r |
e r e r r4. e8[ d16] \change Staff = bass \voiceOne
c16.[ b32 a16 ] \change Staff = treble \voiceTwo |
r16 r b d16.[ e32 d16 ] c8.[ e ] e4. ~ e8.[ fs ] |
gs[ < fs a > < gs b > < fs a > ] < gs b >[ < fs a > ] < gs b >4.
}
treble.3 = \new Voice = "three" \relative c' {
s1*5 |
%%5
s1*5*18/16 |
%%10
s1 |
\voiceThree s4 e e s |
s1*3*12/8 |
%%15
s1 |
\voiceFour s4 r16 fs8. r16 b8. ~ b4 |
s1 |
r2 r4 a |
%% 20
\skip 1*57
\voiceThree
b2 ~ b8. d16 cs d b8 |
as2 b _~ |
b as |
b1 |
%% 80 - double bar
\skip 1*9
\voiceFour
fs4 s8 g4 s8 fs4 s8 s s \voiceThree b |
%% 90
s4 s8 s s a s4 s8 s s s |
\voiceFour g4. ~ g4 fs8 s4 s8 s s \voiceThree b |
s4 s8 s s a s4 s8 s s s |
\voiceFour g4. ~ g4 fs8 s4 s8 s4 s8 |
\skip 1*17*6/8
s1*3/2 |
s1*3/2 |
s1*3/2 |
%% 115
\voiceThree
s2 b b |
s b s |
s s s |
s2 b b |
s s s |
%% 120
s1*3/2 |
s1*3/2 |
s1*3/2 |
s1*3/2 |
s1*3/2 |
%% 125
s1*3/2 |
s1 |
s1 |
s1 |
s1 |
%% 130
b2 s |
s1 |
\skip1*17*12/8
s2. s8 b4 b s8 |
\skip1*5*12/8
\skip1*5*24/16
s2. \voiceFour gs8.[ b ~ ] b8[ a16 ] \voiceThree a16.[ gs32 a16]
}
bass.1 = \new Voice = "four" \relative c' {
\oneVoice
r8 e16 e' ds fs, gs d' cs a c fs, g b e, c' |
fs, a ds, b' e, g b, gs' a c, cs as' b d, ds b' |
e, c' cs e, fs d' ds fs, \voiceOne g8. fs16 g fs g fs |
g fs g fs g fs g fs g fs g fs g fs g fs |
g1 |
%%5
\clef bass
\oneVoice R1*18/16 |
s1*18/16 |
\voiceOne c,4. a4 b16[ c ] b4. ~ |
b a16[ gs a b a gs ] a4. ~ |
a2. b8 r r |
%%10
r8 b b4 c b |
a b a s |
s1*12/8 |
s1*12/8 |
s1*12/8 |
%%15
c2 r16 c8. ~ c4 |
r16 b8. ~ b4 r b |
\clef treble
s2 s4 g' ~ |
g4. e32 fs g16 fs2 |
e1
%%20
\oneVoice
R1 |
R |
R |
R |
R |
%%25
R |
R |
R |
R |
R |
%%30
R |
R |
\clef bass
e,2 b' |
as a |
gs g |
%%35
fs d' |
cs b ~ |
b as |
b4. a8 g4 g8 c |
fs, fs fs fs b4. b8 |
%%40
e, e e e a a a a |
ds,4 r4 b'2 |
a4. b8 c!2 |
b1 ~ |
b |
%%45
c2 b |
e,4. fs16 gs a2 |
fs b4. a16 g |
fs2. b8. a16 |
g8 a16 b g8. fs16 fs4 fs' |
%% 50
e2. ~ e16 e fs e |
ds4 d ~ d16 cs d e d8. cs16 |
cs4 ~ cs 16 b as gs fs4 fs' |
g2 e4 ~ e16[ e d32 cs b cs ] |
d4. e16 fs cs4 ~ cs16 e ds e |
%% 55
ds4 e c!4.a8 |
b2 gs4 ~ gs8. fs32 gs |
a2 fs4 ~ fs8. e32 fs |
g4 ~ g16 a g fs e4 r |
R1 |
%% 60
R |
R |
R |
R |
\voiceTwo R |
%% 65
\oneVoice R |
R |
b'2 e |
ds d |
cs c |
%% 70
b g' |
fs e ~ |
e d ~ |
d ~ d4 r8 c |
b2 ~ b4 r8 b |
%% 75
cs2 ~ cs4 r8 b |
b1 |
cs2 b4. b32 cs d16 |
cs2. ~ cs16 e ds e |
\voiceOne ds1 |
%% 80
R1 |
\voiceTwo R |
\oneVoice R |
\clef treble
r4 r16 g fs32 e ds cs b4 ~ b16 b b b |
b2 ~ b8 r \clef bass b32 e g, a b e, fs g |
%% 85
R1 |
cs16 e, a cs, e a a,8 r4 r8 g''32 fs e d |
cs16 e a, b cs e a, b cs e a, b cs e a,8 |
r4 r8 e'32 d cs b a4 ~ a16 a a a |
a4 r8 g4 r8 a4 r8 r r b |
%% 90
b4 r8 r r a a4 r8 r r g |
g4 a8 a4. g4 r8 r r < b fs > |
< g b >4 r8 r r < a c > a4 r8 r r g |
g4 a8 \voiceTwo a4 a8 g4 \oneVoice r8 r4 r8 |
R1*6/8 |
%% 95
R1*6/8 |
R1*6/8 |
R1*6/8 |
R1*6/8 |
R1*6/8 |
%% 100
R1*6/8 |
R1*6/8 |
R1*6/8 |
R1*6/8 |
R1*6/8 |
%% 105
R1*6/8 |
R1*6/8 |
R1*6/8 |
R1*6/8 |
R1*6/8 |
%% 110
R1*6/8 |
\clef treble
r2 \voiceOne g' gs |
\oneVoice r \voiceOne a as |
\oneVoice r \voiceOne b1 |
s1*3/2 |
%% 115
s1*3/2 |
s1*3/2 |
s1*3/2 |
s1*3/2 |
s2 ds, ds |
%% 120
e1 ~ e4. ds16 e |
ds1 ~ ds4. cs16 ds |
e1 ~ e4. ds16 e |
ds1 ~ ds4. cs16 ds |
e1 ~ e4. ds16 e |
%% 125
ds4 s4 s s |
s1
s
s
s
%% 130
s
s1*12/8
s1*12/8
s1*12/8
s1*12/8
%% 135
s1*12/8
s1*12/8
s1*12/8
s1*12/8
s2. g,4 s8 s4. |
%% 140
s2. s8 s ds' e4. |
ds4 s8 s s ds e4. ~ e4 s8 |
s s cs d4. ~ d4 s8 s s b |
c8. d16 e8 d4. ~ d4 s8 s s d |
d4 d8 b8. a16 g8 \clef treble \oneVoice r8 r g' ~ g fs4 |
%% 145
g r8 r4. r2. |
r8 r d b8. a16 g8 r8 r g' ~ g fs4 ~ |
fs8 e4 ~ e8 ds4 e4. b4 r8 |
r r b e cs4 b8 \clef bass r16 c b a g8. fs16 e8 |
\clef treble r r \voiceOne b'' c b4 a4. b ~ |
%% 150
b4 r8 r4. \oneVoice r8 r \voiceOne b c b4 |
a4. b4. ~ b4 r8 r4. |
\oneVoice r8 r \voiceOne b c b4 a4. b |
\oneVoice R1*12/8
r4. ds,16[ e fs ] ds[ cs b ] r8. fs' r4. |
%% 155
ds16[ e fs ] ds[ cs b ] r8. fs' e2. |
s4. s8. s16 s \clef bass \oneVoice b16 e8[ d16 ] b16[ e, ] r16 r8. \clef treble r16 r \voiceOne e' |
e8.[ d c b ] c r c r |
c r c r \clef bass \voiceTwo r2. |
\voiceOne gs4. a8.[ c ] b4. a16.[ b32 c16 ] fs,8[ b16 ] |
%% 160
e1*24/16
}
bass.2 = \new Voice = "five" \relative c' {
\voiceTwo
s1 |
s |
s2 e ~ |
e1 |
e |
%%5
\clef bass
s1*18/16 |
\oneVoice r16 e[ d c b a ] gs4. ~ gs16[ fs gs e fs gs ] |
\voiceTwo a4. fs ds |
e2. ~ e16[ e fs g fs e ] |
fs[ e fs g fs e ] fs[ fs g a g fs ] e8 r r |
%%10
r8 e e4 e2 |
e e4 \oneVoice r32 e fs gs a b c d |
c4. d c8 b a f' e d |
e4 a,8 f'4 a,8 e' d c d c b |
c b a f' e d e d c d c b |
%%15
\voiceTwo a2 r8 r16 a ~ a4 |
r8 r16 fs ~ fs4 r8 r16 gs ~ \voiceFour gs gs8. |
\oneVoice r2 r4 \clef treble \voiceTwo cs8 e |
b1 |
b
%%20
\skip 1*59
r4 r8 r32 cs b as b16 es, fs cs ds b b'8^\mordent
%% 80
\skip 1*9
\skip 1*4*12/8
\voiceOne s4 s8 r c ~ c16 c b4 s8 s4 s8 |
\skip 1*17*6/8
\voiceTwo s2 e d |
s c cs |
s ds1 |
\clef bass
\oneVoice r2 b b |
r b b |
r cs1 |
r2 b b |
r b1 |
\clef treble
\voiceTwo r2 b b |
b1. ~ |
b1. ~ |
b1. ~ |
b1. ~ |
b1. ~ |
%% 125
b4 \oneVoice r
\clef bass
r16 b r b r b r b |
r b r b r b r b r b r b r b r b |
r e, r e r e r e r e r e r e r e |
r b' r b r b r b r e r e r e r e |
b2 r4 r8 e, |
%% 130
b'1 |
b4 r8 r4. r2. |
R1*12/8 |
r8 r b g8. fs16 e8 r r e' ~ e ds4 |
e8. fs16 g8 fs4 r8 r r b, e cs4 ~ |
%% 135
cs b8 ~ b as4 b4. ~ b8 as4 |
b4. ~ b4 r8 r2. |
r8 r e, d8. cs16 b8 r r b' ~ b as4 |
\voiceTwo b ds,8 e4 r8 r r \oneVoice c' a b4 |
c8 b a b b,4 \voiceTwo e \oneVoice r8 r r e' |
%% 140
ds8. cs16 b8 r4. r8 r \voiceTwo b b4. ~ |
b4 r8 r r b b8. a16 gs8 a4 r8 |
r r a a8. g!16 fs8 g4 r8 r r g |
g4. ~ g a4 r8 r r a |
g4 r8 r4. s2. |
%% 145
s s |
s s |
s s |
s s |
s8 s e' a fs4 e4. ~ e8 fs4 |
%% 150
g b8 g8. fs16 e8 s s e a fs4 |
e4. ~ e8 fs4 g b8 g8. fs16 e8 |
s s e a fs4 e4. ~ e8 fs4 |
s1*12/8
s4. s s8. b, s4. |
%% 155
s4. s8. b b2. |
s4. s s s8. s16 s b |
a2. ~ a8. s a s |
a s a s s2. |
r2. r8. gs[ a ds, ] |
%% 160
< e b' >1
}
bass.3 = \new Voice = "six" \relative c {
s1*5 |
%%5
s1*2*18/16 |
\voiceThree s4.*2 fs4. |
s1*2*18/16 |
%%10
s1*2 |
s1*3*12/8 |
%%15
s1 |
\voiceTwo s2 s4 r8 e |
s1 * 3
%%20
\skip 1*60
%% 80
\skip 1*9
\skip 1*5*12/8
\skip 1*17*6/8
\voiceThree
s2 s e' |
s e e |
s fs1
}
pedal = \new Voice = "seven" \relative c, {
\clef bass
R1 |
R |
r2 e ~ |
e1 ~ |
e |
%% 5
e1*18/16 ~ |
e1*18/16 ~ |
e1*18/16 ~ |
e1*18/16 ~ |
e1*18/16 |
%%10
e8 e' d4 c gs |
a1 ~ |
a1. ~ |
a ~ |
a ~ |
%%15
a1 ~ |
a2 gs |
r r4 as |
b1 |
e,1 |
%%20
R1 |
R |
R |
R |
R |
%%25
R |
R |
R |
R |
R |
%%30
R |
R |
R |
R |
R |
%%35
R |
R |
R |
b'2 e |
ds d |
%%40
cs c |
b g' |
fs e ~ |
e ds |
e g, |
%% 45
a b |
\voiceTwo c1 |
b ~ |
b |
\oneVoice e,4 e'2 d8 g |
%% 50
cs, cs cs cs fs4. fs8 |
b, b b b e e e e |
as,4. fs'8 d4 b |
e4. fs8 g2 |
fs1 |
%% 55 |
b,4 r r2 |
R1 |
R |
R |
R |
%% 60
R |
e2 b' |
as a |
gs g |
fs d' |
%% 65
cs b ~ |
b as |
b4. a!8 g4. c8 |
fs, fs fs fs b4. b8 |
e, e e e a a a a |
%% 70
ds,4 r r e |
b2 c |
b2. b'8 d |
gs, gs gs gs c4 r8 c |
ds, ds ds ds g4 r8 g |
%% 75
as, as as as d4 r8 d |
g1 |
fs2 es |
fs1 |
b,
%% 80 - double bar
R1 |
R |
R |
ds2 ~ ds4 ~ ds16 ds ds ds |
e2 ~ e8 r r4 |
%% 85
cs4 r r2 |
R1 |
R |
cs2 ~ cs4 ~ cs16 cs cs cs |
d4 r8 g,4 r8 d'4 r8 r r b |
%% 90
e4 r8 r r a, d4 r8 r r g, |
c,4 cs8 d4. g4 r8 r r b |
e4 r8 r r a, d4 r8 r r g, |
c,4 cs8 d4. g4 r8 r4 r8 |
R1*6/8 |
%% 95
R1*6/8 |
R1*6/8 |
R1*6/8 |
R1*6/8 |
R1*6/8 |
%% 100
R1*6/8 |
b8 r r b r r |
b r r b r r |
b r r b r r |
b r r b r r |
%% 105
b' r r a r r |
g r r a r r |
\voiceTwo b, \oneVoice r r a r r |
g r r a r r |
b r a b r b |
%% 110
e, r r r4.
R1*3/2
R1*3/2
R1*3/2
r2 b'' a |
%% 115
r g gs |
r fs1 |
r2 ds e |
r b1 |
r2 b' a |
%% 120
g fs e |
b b' a |
g fs e |
b b' a |
g fs e |
%% 125
b4 r a'8 a a a |
gs gs gs gs g g g g |
cs, cs cs cs c c c c |
b b b b as as as as |
b2 r4 r8 as |
%% 130
b1 |
e,4 r8 r4. r2. |
R1*12/8 |
R1*12/8 |
r8 r e' d8. cs16 b8 r r b' ~ b as4 |
%% 135
b d,8 e fs4 g4. fs |
b,8 r b g8. fs16 e8 r r e' ~ e ds4 |
e r8 r4. r2. |
R1*12/8 |
r2. r8 r b' g8. fs16 e8 |
%% 140
r2. r8 r b' g8. fs16 e8 |
b4 r8 r r a' gs8. fs16 e8 a4 r8 |
r r g! fs8. e16 d8 g4 r8 r r f |
e8. d16 c8 g'4 g,8 d'4 r8 r r d, |
g4 r8 r4. r2. |
%% 145
R1*12/8 |
R1*12/8 |
r2. r8 r e' d8. cs16 b8 |
r8 r b' ~ b as4 b b,8 e4 r8 |
r r g, a b4 c4. b |
%% 150
e,4 r8 r4. r8 r g a b4 |
c4. b e,4 r8 r4. |
r8 r g a b4 c4. b |
R1*12/8 |
r2. a4. r |
%% 155
r r8. a gs2. |
r2. r4. r8. r16 r gs |
a2. ~ a8. r b r |
c r a r r2. |
e1*24/16 ~ |
%% 160
e1*24/16
}
pedalextra = \new Voice = "eight" \relative c' {
\skip 1*5
\skip 1*5*18/16
\skip 1*2
\skip 1*3*12/8
\skip 1*5
\skip 1*26
\voiceOne
r2 r4 a ~ |
a2 g4. a8 |
b1 |
\skip 1*31
%% 80
\skip 1*9
\skip 1*5*12/8
\skip 1*13*6/8
b8
}
\score {
<<
\new PianoStaff <<
\new Staff = "treble" <<
\global
\treble.1
\treble.2
\treble.3
>>
\new Staff = "bass" <<
\global
\bass.1
\bass.2
\bass.3
>>
>>
\new Staff = "pedal" <<
\global
\pedal
\pedalextra
>>
>>
}
}
%{
convert-ly (GNU LilyPond) 2.19.80 convert-ly: Processing `'...
Applying conversion: 1.3.120, 1.3.122, 1.3.136, 1.3.138, 1.3.138,
1.3.139, 1.3.141, 1.3.144, 1.3.145, 1.3.146, 1.3.147, 1.3.148, 1.5.33,
1.5.38, 1.5.40, 1.5.49, 1.5.52, 1.5.56, 1.5.58, 1.5.59, 1.5.62,
1.5.67, 1.5.68, 1.5.71, 1.5.72, 1.6.5, 1.7.1, 1.7.2, 1.7.3, 1.7.4,
1.7.5, 1.7.6, 1.7.10, 1.7.11, 1.7.13, 1.7.15, 1.7.16, 1.7.17, 1.7.18,
1.7.19, 1.7.22, 1.7.23, 1.7.24, 1.7.28, 1.9.0, 1.9.1, 1.9.2, 1.9.3,
1.9.4, 1.9.5, 1.9.6, 1.9.7, 1.9.8, 2.1.1, 2.1.2, 2.1.3, 2.1.4, 2.1.7,
2.1.10, 2.1.11, 2.1.12, 2.1.13, 2.1.14, 2.1.15, 2.1.16, 2.1.17,
2.1.18, 2.1.19, 2.1.20, 2.1.21, 2.1.22, 2.1.23, 2.1.24, 2.1.25,
2.1.26, 2.1.27, 2.1.28, 2.1.29, 2.1.30, 2.1.31, 2.1.33, 2.1.34,
2.1.36, 2.2.0, 2.3.1, 2.3.2, 2.3.4, 2.3.6, 2.3.8, 2.3.9, 2.3.10,
2.3.11, 2.3.12, 2.3.16, 2.3.17, 2.3.18, 2.3.22, 2.3.23, 2.3.24,
2.3.25, 2.4.0, 2.5.0, 2.5.1, 2.5.2, 2.5.3, 2.5.12, 2.5.13, 2.5.17,
2.5.18, 2.5.21, 2.5.25, 2.6.0, 2.7.0, 2.7.1, 2.7.2, 2.7.4, 2.7.6,
2.7.10, 2.7.11, 2.7.12, 2.7.13, 2.7.14, 2.7.15, 2.7.22, 2.7.24,
2.7.28, 2.7.29, 2.7.30, 2.7.31, 2.7.32, 2.7.32, 2.7.36, 2.7.40, 2.9.4,
2.9.6, 2.9.9, 2.9.11, 2.9.13, 2.9.16, 2.9.19, 2.10.0, 2.11.2, 2.11.3,
2.11.5, 2.11.6, 2.11.10, 2.11.11, 2.11.13, 2.11.15, 2.11.23, 2.11.35,
2.11.38, 2.11.46, 2.11.48, 2.11.50, 2.11.51, 2.11.52, 2.11.53,
2.11.55, 2.11.57, 2.11.60, 2.11.61, 2.11.62, 2.11.64, 2.12.0, 2.12.3,
2.13.0, 2.13.1, 2.13.4, 2.13.10, 2.13.16, 2.13.18, 2.13.20, 2.13.27,
2.13.29, 2.13.31, 2.13.36, 2.13.39, 2.13.40, 2.13.42, 2.13.44,
2.13.46, 2.13.48, 2.13.51, 2.14.0, 2.15.7, 2.15.9, 2.15.10, 2.15.16,
2.15.17, 2.15.18, 2.15.19, 2.15.20, 2.15.25, 2.15.32, 2.15.39,
2.15.40, 2.15.42, 2.15.43, 2.16.0, 2.17.0, 2.17.4, 2.17.5, 2.17.6,
2.17.11, 2.17.14, 2.17.15, Not smart enough to convert #(ly:set-
option 'old-relative). Please refer to the manual for details, and
update manually. convert-ly: error: Error while converting Stopping at
last successful rule convert-ly: warning: There was 1 error.
%}
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