Going a bit further, I bumped into this case. Since the note at some interval from another one keeps its pitch name in its different « variants », how about Db’s seconds?
diminished second Ebbb ??? minor second Ebb major second Eb augemented second E I’m sure no one ever uses triple flats though, must have missed something… JM > Le 30 avr. 2018 à 15:50, Hans Åberg <haber...@telia.com> a écrit : > > >> On 29 Apr 2018, at 22:17, Jacques Menu Muzhic <imj-muz...@bluewin.ch> wrote: >> >> OK, now everything is clear, it’s precisely on jazz chords I’m working. > > FYI, I recall the Mehegan books on jazz improvisation applying enharmonic > equivalents freely. The Blatter books on instrumentation suggests applying > them to simplify for harpists, which will save time and money. But orchestral > instruments depart from Pythagorean tuning, not E12, so they are not > equivalent, differing by a comma of about 20 cents. > > _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
