,
On Sat, Jun 16, 2018, 12:26 PM <crimsonsunr...@protonmail.com> wrote:
> -------- Mensagem Original --------
> Ativo 16 de jun de 2018 14:45, Flaming Hakama by Elaine <
> ela...@flaminghakama.com> escreveu:
>
>
> From: Kieren MacMillan
> To: crimsonsunr...@protonmail.com
>
>
>
> Subject: Re: questions in regards to combining multiple parts
> Hi crimsonsunrise,
>
> > - Considering a number of scores have an odd number of instruments
> combined (i.e. 3 Trumpets, 3 Clarinets, etc.), why partcombine only works
> on an even number of parts? Shouldn't partcombine work on *n* number of
> parts instead?
>
> Of course it should. But how to do so is somewhere between "extremely
> complicated" and "impossible", and nobody has decided to take on the
> programming project to date. We are fortunate it works as well as it does,
> due to the efforts of some wonderful volunteer programmers.
>
> > - If, instead of partcombining the parts, you make them separate voices
> of a single staff, how you get the markups mentioned before to print in the
> combined staff without making them be something inside one of the parts?
>
> I use the edition-engraver, because those kinds of markups are part of the
> presentation layer (not the content layer).
>
> Hope that helps!
> Kieren.
>
>
> Not sure what all the hullabaloo is about.
>
> You can iterate with \partcombine:
>
>
>
> \version "2.19.15"
>
>
> trumpetOne = \relative c'' { c8 16 16 f2. }
>
> trumpetTwo = \relative c'' { g8 16 16 a2. }
>
> trumpetThree = \relative c' { e8 16 16 c2. }
>
>
> trumpetsOneAndTwo = \partcombine \trumpetOne \trumpetTwo
>
> trumpetThreeForPartcombine = \relative { \voiceTwo \trumpetThree }
>
> trumpets = \partcombine \trumpetsOneAndTwo \trumpetThreeForPartcombine
>
>
> <<
>
> \trumpets
>
> >>
>
>
>
>
>
> Elaine Alt
>
> 415 . 341 .4954 "Confusion is
> highly underrated"
>
> ela...@flaminghakama.com
>
> Producer ~ Composer ~ Instrumentalist
>
> -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
>
> The example ignores what I mentioned about markup for when you have the
> same stuff on all voices or only two voices with the same parts. It still
> is two parts, and that's part of the issue I'm talking about.
>
Sorry, I didn't see anything specific in your post regarding markings.
Care to post an example of the parts you'd like to combine that is proving
to be troublesome? It seems I am not able to guess.
In general, I would take Kieren's advice about using the edition engraver
as a tool more well suited for getting score- and part- specific
alternatives.
But I'm curious to see what the core issue is.
Thanks,
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