Hi, reading about \partcombine recently stirs up some questions. I always considered it a tool for orchestra scores (violins of flutes). But perhaps it's not limited to that.
My questions (and some short reasoning): 1. Does \partcombine make sense for combining *soprano and alto* into one staff or should I use voices? I see pros (+) and cons (-): - The fact that I would prefer the 'apart' style everywhere makes me think that it's perhaps not what \partcombine is intended for. = From a quick test, \partcombineApart is equivalent to two voices. Are there exceptions? + The positioning of dynamics is better for partcombine. Why are all dynamics below the staff for the voices-setup by default? 2. Does \partcombine make sense for *piano music* with different voices starting here and there? - Probably not as the 2...n voices are never used independently, so I'd be better off writing voices explicitly as necessary. Best, Joram _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
