I would like to forward another argument for the use of \relative.
I have used Lilypond for several years, but I am certainly not a professional 
musician or music typesetter.  The music I set is not overly complicated - 
usually up to five of six (vocal) voices on up to maybe six pages.  I seem 
unable to remember which octave is c' through c''.  Memorizing this is likely 
simpler than memorizing that the derivative of arctan(x) is 1/(1+x²), but while 
the latter to me is rock solid, the former is a fleeting breath.  Therefore I 
always end up taking a wild guess for the first note of my \relative; once that 
note has been corrected, the rest is mostly right.  Using \absolute would, for 
me, be a nightmare of wrong octaves.

Regards,
Mogens

From: Paul Scott
Sent: March 16, 2021 15:56
To: Kieren MacMillan
Cc: David Kastrup; lilypond-user@gnu.org
Subject: Re: why Kieren is a \relative evangelist [was “Re: Nested 
transposition"]



> 3. The *single* serious argument against absolute music — that it requires 
> extra typing [of apostrophes and commas] — is essentially eliminated by using 
> an IDE like Frescobaldi: using MIDI input means I avoid typing note code 
> (including octavation symbols) almost entirely, and the transposition 
> functions let me instantaneously re-octavate large sections of code if that’s 
> ever required (which it basically never is). I believe we should be 
> encouraging users to use tools like Frescobaldi — because I believe their 
> coding lives would be made easier in *so* many ways — and the “crutch” of 
> \relative means there’s less incentive to do so in the early stages of the 
> learning curve (which is exactly when habits, good or bad, tend to be formed).

I am a copyist, not a composer.  I currently don’t have a MIDI keyboard. I 
enter everything through Emacs without a mouse for pitch, therefore haven’t 
considered tools like Frescobaldi so far.
I have been using \relative for many years and am aware of the problems.

Because of this discussion I have just started using \absolute for bass clef 
parts and I just noticed \fixed which I will start experimenting with.  Any 
other suggestions for my situation as described above?  

I will consider getting a small MIDI keyboard which would probably lead to 
experimenting with Frescobaldi.

Thanks for any other thoughts.

> 
> Making other people’s (especially newbies’) lives easier *is* ultimately what 
> I’m trying to do.

Agreed! 

Paul




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