Tom,
Here is the header:
\header {
title = "O for thy spirit, holy John" %centered below dedication
subsubtitle = "(version \date)" %centered below subtitle - used as both
composition date and ascension number for the coposition.
composer = "Flor Peeters" %flush right }
}
Change the two "R1" to "R2.".
Mark
-----Original Message-----
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr....@gnu.org]
On Behalf Of Tom Cloyd MS MA
Sent: Sunday, April 4, 2021 2:38 PM
To: Lilypond <lilypond-user@gnu.org>
Subject: misbehaving voice entry in 4 part piano score
Greetings -
Returning to the piano after a 50+ year absence (yes the heart has grown
fonder), I am engraving my first piano score - a copy of an existing score.
The second voice ("VOICE THREE" BELOW) in the base clef is supposed to enter
on the beat 1 of the measure 3. Instead, Lilypond prints 3 full-measure rests
instead of the intended 2, and this is entering on beat 3 of measure 3.
I can make no sense of this. Reviewing the documentation for well over an hour
has been fruitless. Can anyone suggest what I'm doing wrong?
\version "2.20.0"
#(set-global-staff-size 20) % 20 is said to be standard for most scores date =
#(strftime "%Y.%m.%d" (localtime (current-time))) % define a variable to hold
the formatted date
\header {
title = "O for thy spirit, holy John" %centered below dedication
subsubtitle = \markup { "( version" \date")" } %centered below subtitle -
used as both composition date and ascension number for the coposition.
composer = \markup \center-column {"Flor Peeters"} %flush right }
\paper {
#(set-default-paper-size "letter" 'portrait)
system-system-spacing.padding = #5 % controls padding within systems
ragged-last-bottom = ##t % turns off vertical justify
left-margin = 0.6\in
line-width = 7\in % works better than specifying R-margin
bottom-margin = 1.4\in % needed for good printing with Okular
top-margin = 1\in
}
global = {
\key e \major
%\tempo "Allegretto" 4=90 %{ metronome marking will be in parentheses, if
accompanied by verbal tempo marking; or just precede it with empty parentheses
to obtain metron. marking in parens. %}
}
% * VOICE ONE ========================================
voiceS = {
s1*2
}
% * VOICE TWO ========================================
voiceA = {
%\override TupletNumber.number-visibility = ##f
\override TupletBracket.bracket-visibility = ##f
\omit TupletNumber
\slurUp \tuplet 3/2 {fis'8 e fis (fis) e cis (cis) b cis} |
\stemUp \slurDown \tuplet 3/2 {b8 a b (b) a fis (fis) e fis } |
\tuplet 3/2 {a fis a b a b e cis b} |
}
% * VOICE THREE ========================================
voiceT = {
R1 | R1 |
e4 fis a |
}
% * VOICE FOUR ========================================
voiceB = {
fis,4 gis cis |
b cis d |
d c b |
}
\score {
\new StaffGroup <<
\new PianoStaff <<
\new Staff {
\global
\clef treble
\time 3/4 %9/8
<<
\relative c'' \voiceS
\\
\relative c' \voiceA
>>
}
\new Staff {
\global
\clef bass
\time 3/4
<<
\relative c \voiceT
\\
\relative c \voiceB
>>
}
>>
>>
\layout { }
\midi { }
}
--
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Fight for the things that you care about, but do it in a way that will lead
others to join you." ~ Ruth Bader Ginsberg
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tom Cloyd, MS MA | t...@tomcloyd.com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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