Hello Jean, hello David, hello Lukas,
I think Alasdair does not want to specify relative at toplevel, but he has his
voices in multiple consecutive parts, and he wants the whole voice to be
relative, instead of each part being separately relative. This can of course
simply be done using \relative pitch {\partA \partB ...}.
Cheers,
Valentin
09.02.2022 15:13:14 Jean Abou Samra <j...@abou-samra.fr>:
>> Le 09/02/2022 14:43, David Kastrup <d...@gnu.org> a écrit :
>>
>>> Though this might not be considered very clean.
>> The word "atrocity" readily suggests itself.
>>
>> I don't think I have thought of using #{ ... \etc #} as kind of a lambda
>> function created with LilyPond before and/or connecting this to
>> toplevel-music-functions now that the functions in there don't need a
>> "parser" argument anymore. So that is a quite appealing piece of code,
>> just that one would wanted to see its power applied for good.
>
>
> Oh, but I have good inspiration for that trick.
>
> https://lists.gnu.org/archive/html/lilypond-user/2021-07/msg00135.html
