Hello Knute, the thing is that you do not have three voices, but four: The bass, going ef2 ef4, the treble going df2 df4, the tenor going g4 g gf and the alto having that eigth note pattern.
See the appended file for how I’d do it (using forced hshifts, because I do not want to bother with finding the correct voice configuration to get some offsets). Cheers, Valentin Am Dienstag, 15. Februar 2022, 21:09:25 CET schrieb Knute Snortum: > Hello again. > > I am having difficulties engraving a complex three-voice lefthand > measure. Chopin (bless his heart!) has written some "impossible" note > lengths. I have two ways that get close to engraving the measure as > Chopin wrote it, but not quite. > > Attached is the measure I want to engrave, then my two attempts, then > the input file that created the two attempts. Any suggestions would > be appreciated. > > -- > Knute Snortum
\version "2.22.1" \language "english" voiceSix = #(context-spec-music (make-voice-props-set 5) 'Voice) % df' doesn't connect with g \relative { \time 3/4 \key f \major \clef bass << { \voiceThree df'2 * 1/2 g,4 <gf df'> | } \\ { \voiceFour \override Beam.details.collision-padding = 0 \scaleDurations 2/3 { g8 bf bf g bf bf gf a a } | } \\ { \voiceSix \override NoteColumn.force-hshift = 0.5 ef2 ef4 | } >> } % g is headed as a half note instead of quarter note \relative { \time 3/4 \key f \major \clef bass \mergeDifferentlyHeadedOn << { \voiceThree <g df'>2 * 1/2 g4 <gf df'> | } \\ { \voiceFour \override Beam.details.collision-padding = 0 \scaleDurations 2/3 { g8 bf bf g bf bf gf a a } | } \\ { \voiceSix \override NoteColumn.force-hshift = 0.5 ef2 ef4 | } >> } % my version \relative { \time 3/4 \key f \major \clef bass \mergeDifferentlyHeadedOn << { \tweak NoteColumn.force-hshift #-0.057 df'2 } \\ { \offset Beam.positions #'(3 . 3) g,8*2/3 bf bf g bf bf \offset Beam.positions #'(3 . 3) gf a a } \\ { \tweak NoteColumn.force-hshift #0 g4 g <gf df'> } \\ { \tweak NoteColumn.force-hshift #0.4 ef2 \tweak NoteColumn.force-hshift #0.4 ef4 } >> }
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