This an old solution to put the pedal in its own context so you can add spacers as you see fit. Maybe there is a better way now, but this works
pedal ={s8 s2\sustainOn s2\sustainOff } \score { \new PianoStaff \with { instrumentName = "Piano" } << \new Staff = "right" \with { midiInstrument = "acoustic grand" } << \rightOne >> \new Dynamics = "dynamics" \dynamics \new Staff = "left" \with { midiInstrument = "acoustic grand" } { \clef bass << \leftOne>> } \new Dynamics = "pedal" \pedal On Thu, Mar 31, 2022 at 8:40 PM Kenneth Wolcott <kennethwolc...@gmail.com> wrote: > I forgot to mention that I've been struggling with this concept all > day, with and without the use of spacers. There's something that I'm > just not getting through my thick skull. > > On Thu, Mar 31, 2022 at 5:31 PM Kenneth Wolcott > <kennethwolc...@gmail.com> wrote: > > > > Hi; > > > > I'm engraving from an existing Piano arrangement of the "Ave Maria" > > composed by Schubert. > > > > The typesetter uses the traditional sustain pedal style. > > > > The <c, c>2 chord is repeated with sustain on and off. > > > > The ugliness in my engraving is two-fold: > > > > First, the sustainOff end ('*') the following SustainOn are jammed > together. > > > > The second problem I can easily fix by making certain that there is > > a sustainOff prior to the forced line break. (No, I don't get that > > either) > > > > Since this is repeated for the entire piece, I'd really like to > > place this in a variable. > > > > Just not sure how to do that. > > > > How is it that what is shown in the Notation Reference looks just > > fine and it looks ugly when I try it? > > > > Thanks, > > Ken Wolcott > > > > %%%%%%%%%%%% > > <c, c>2\sustainOn q\sustainOff\sustainOn | % m1 > > <c, c>2\sustainOff\sustainOn q\sustainOff\sustainOn | % m2 > > \break > > <c, c>2\sustainOff\sustainOn q\sustainOff\sustainOn | % m3 > > <c, c>2\sustainOff\sustainOn q\sustainOff\sustainOn | % m4 > > \break > > %%%%%%%%%%%% > >