Le 23/07/2022 à 03:48, Kenneth Wolcott a écrit :
Can_You_Feel_the_Love_Tonight.pdf
<https://drive.google.com/file/d/17JcvzHc9RVLfJk_54oNRl0QqXO7QpT-U/view?usp=drive_web>
Hi;
I have a piece of music ("Can You Feel the Love Tonight") which I am
trying to engrave using Lilypond 2.23.10.
I have (mostly) succeeded in engraving this with Lilypond 2.22.2,
but the many directives regarding the Coda and DS look awful.
So, I tried using the \repeat segno feature, which almost looks
correct, but I have problems understanding how to glue in the Coda
part (is that like a volta?).
Could someone clue me in on the Lilypond syntax that I am missing so
that the pdf looks right and the midi sounds right?
Kenneth,
There is an example with an al coda repeat here:
https://lilypond.org/doc/v2.23/Documentation/notation/long-repeats.html#segno-repeat-structure
The syntax is
\repeat segno 2 {
<repeated part>
\alternative {
\volta 1 {
<only first time; al coda is just before here>
}
\volta 2 \volta #'() {
\section
\sectionLabel Coda
}
}
<coda part>
}
Attached is your file amended to use this syntax.
Best,
Jean
\version "2.23.10"
% Can You Feel the Love Tonight
% (from the Lion King)
global = {
\language "english"
\numericTimeSignature
\time 4/4
\key c \major
\tempo "Moderately"
}
\header {
title = "Can You Feel the Love Tonight"
subtitle = "(from the \"Lion King\")"
composer = "Elton John"
}
ds_al_coda = ^\markup { \fontsize #3 "D.S. al Coda" }
rit_e_dim = _\markup { \italic "rit. e dim." }
to_coda = ^\markup { \fontsize #3 "To Coda" }
% coda = -\tweak outside-staff-priority #605 \mark \markup { \fontsize #3 "CODA" }
coda = \mark \markup { \fontsize #2 "CODA" }
rh = {
\global
\clef treble
e''2^3\mp d''4 g'' | % m1
f''2 f''8^5 e'' c'' g' | % m2
a'2 g'8 c'' g'4^2 | % m3
%\break
d'4^1 e' f' g'^1 | % m4
\repeat segno 2 {
% \mark \markup { \musicglyph "scripts.segno" }
a'8 b' c'' d'' c'' g'4. | % m5
a'8 b' c'' d'' c''2 | % m6
%\break
a'8 b' c'' d''16 d'' c''8 g' e''4^4 | % m7
f''8 e'' d'' e'' d''2 | % m8
%\break
a'8 b' c'' d'' c'' g'4. | % m9
a'8 b' c'' d'' c''2 | % m10
%\break
a'8 b' c'' g'16 g' g''8 e'' c'' a' | % m11
f''8 e'' d'' e'' d''4. g'8 | % m12
%\break
\repeat volta 2 {
g''4. e''8 e''4. g''8 | % m13
e''4 c''8 a' ~ a'2 | % m14
r4 g'8 c'' f''4 e'' | % m15
%\break
d''1 | % m16
r4 a'8 b' c''4 g'8 g' | % m17
g''4 e'' c''8 c'' a'4 | % m18
}
%\break
\alternative {
{
f''4 e'' d'' e'' | % m19
d''2. r8 g' | % m20
}
{
f''4 e'' d'' c''8 c'' ~ | % m21
}
}
%\break
c''2. r4 | % m22
\alternative {
\volta 1 {
e''2^3 d''4 g'' | % m23
f''2 f''8 e'' c'' g' | % m24
%\break
a'2 g'8 c'' g'4^2 | % m25
d'4 e' f' g' | % m26
}
\volta 2 \volta #'() {
\section
\sectionLabel Coda
}
}
}
% \mark \markup { \musicglyph "scripts.coda" }
r4 a'8 b' c''4 g'8 g' | % m27
%\break
g''4 e'' c''8\rit_e_dim c'' a' a' | % m28
f''4 e'' d'' c''8 c'' ~ | % m29
c''4 a'8 f' e''2\fermata | % m30
\fine
}
lh = {
\global
\clef bass
c'2_1 b | % m1
a2 g | % m2
f4 c' e2 | % m3
%\break
b1 | % m4
\repeat segno 2 {
f2 e | % m5
f2 e | % m6
%\break
f2 e | % m7
f2 g_2 | % m8
%\break
f2 e | % m9
f2 e | % m10
%\break
f2 a | % m11
bf2 b8 a g f | % m12
%\break
\repeat volta 2 {
e2 g | % m13
a2 f | % m14
c'2 f4 fs | % m15
%\break
g4 a b g_2 | % m16
f2 e | % m17
c'2 a | % m18
}
%\break
\alternative {
{
f2. fs4 | % m19
g4 b a g8 f | % m20
}
{
d4 e f g | % m21
}
}
%\break
f8 a g f e4 g | % m22
\alternative {
\volta 1 {
c'2 b | % m23
a2 g | % m24
%\break
f4 c' e2 | % m25
b4 c' d e | % m26
}
\volta 2 \volta #'() {
\section
\sectionLabel Coda
}
}
}
f2 e | % m27
%\break
a4 g f2 | % m28
d4 e g g | % m29
c1\fermata | % m30
\fine
}
\score {
\new PianoStaff \with { instrumentName = "Piano" }
<<
\new Staff \rh
\new Staff \lh
>>
\layout {}
}
\score {
\unfoldRepeats {
<<
\new Staff {
\set Staff.midiInstrument = "acoustic grand"
\rh
}
\new Staff {
\set Staff.midiInstrument = "acoustic grand"
\lh
}
>>
}
% \midi {
% \tempo 4=112
% }
}
