PS To be precise. Bring it back to D minor and then octave down. 😉 ________________________________ Van: Eef Weenink <eefween...@outlook.com> Verzonden: vrijdag 16 september 2022 22:05 Aan: Lukas-Fabian Moser <l...@gmx.de> CC: Lilypond-User Mailing List <lilypond-user@gnu.org> Onderwerp: Re: function to recognise voice crossings?
PS: The double bass is in solo tuning (major second above normal) so the score for the double bass is written a major second down) so you hear the correct pitches. Purcell (original) is in D minor (1 flat) and the double bass score has 3 flats (C minor) PS2, in fact to do the real check, I have to also transpose the double score 1 octave down, because the double bass is written 1 octave higher then sounding. regards, Eef Op 16 sep. 2022, om 21:47 heeft Lukas-Fabian Moser <l...@gmx.de<mailto:l...@gmx.de>> het volgende geschreven: Hi Eef, Am 16.09.22 um 21:22 schrieb Eef Weenink: Great, it does exactly what I need, see image. (red noteheads are the lowest in score)! So on this spot I have to lower the bassline in the left hand of piano. <Schermafbeelding%202022-09-16%20om%2021.20.14.png> I'm glad it helps! But there's something strange, as the f-e cadenza in the melody doesn't really fit the f major cadenza in the piano. I looked up Purcell's original (thanks for including the text, otherwise I wouldn't have recognized it): The final note of the melody line should coincide (up to octave) with the final note of the piano left hand. So it seems something's wrong in your score (unless you have some quite unusual clefs, but then again, the red markings seem to indicate that melody and piano left hand are both written in bass clef). Could you maybe post your full score so I could take a look? Lukas
