Am Mi., 26. Okt. 2022 um 19:27 Uhr schrieb Peter Mitton <petemit...@me.com>:
>
> Hi,
>
> I’m wondering if there is a better way of writing this code:
>
> \version "2.22.2"
>
> \new Staff {
> <<
> % \time 6/8
> % \clef bass
> \new Voice = "a" {
> \voiceFour
> \time 6/8 \clef bass \appoggiatura c,8 c1 \appoggiatura c,8 c1
> }
> \new Voice = "b" {
> \voiceThree
> \grace s8 e1 \grace s8 e1
> }
> >>
> }
>
> This is the only place I’ve found where I can place the bass clef without an
> additional treble clef appearing before the first appoggiatura (with multiple
> ledger lines).
>
> Similarly this is the only place I’ve found where I can place the time
> signature where it doesn’t appear after the first appoggiatura.
>
> The second appogggiatura works without problem wherever I declare the rhythm
> or clef (e.g. in the above commented section or in a global)
>
> I’m sure I’m missing something simple, but any suggested improvements would
> be most appreciated.
>
> Many thanks,
>
> Pete
Well, you could do:
\new Staff {
\time 6/8
\clef bass
<<
\new Voice = "a" {
\voiceFour
\appoggiatura c,8 c1 \appoggiatura c,8 c1
}
\new Voice = "b" {
\voiceThree
\grace s8 e1 \grace s8 e1
}
>>
}
Why two Voices, though? Below works as well:
\new Voice = "a" {
\voiceFour
\time 6/8 \clef bass
\appoggiatura c,8 <c e>1 \appoggiatura c,8 <c e>1
}
Btw, you're aware c1 exceeds 6/8-time?
Cheers,
Harm
