Furthermore, for the record, the same trick also works in the case where there 
is no break after the end-repeat sign. In this case the second of the three 
inner lists in Score.BreakAlignment.break-align-orders governs the order. So I 
want to modify both the 1st and the 2nd list. From the documentation:

> This is a vector of 3 lists: #(end-of-line unbroken start-of-line).

Having different scores and parts of the same music I now end up with clearly 
more readable and sensible Lilypond source than I had before. And nicer typeset 
music. Hallelujah, as Mr. Handel wrote.

/Ole

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------- Original Message -------
On Saturday, January 28th, 2023 at 06:52, Ole V. Villumsen 
<ole.villum...@protonmail.ch> wrote:


> Thanks, everyone, for your contributions.
> 
> First of all Jean. Your code gives me exactly what I wanted. I haven’t 
> learned to use the internals, but see here that it’s useful.
> 
> > Not sure, but my guess is that LilyPond might be trying to make different
> > measures have not-too-distant lengths. This is just a guess; ...
> 
> 
> I am skeptical. There’s no separate measure there.
> When I move the setting of the measure position to later in the bar,
> I still get the same space (but then not the measure number, 5,
> on the 2nd line, which makes sense). So still curious.
> 
> @Mark
> 
> > Under 2.22 I do not get extra space.
> 
> 
> That’s still more curious. On 2.22.2 I get a warning
> that the break is overwritten by another event, so we
> don’t get the line break that I had specified and wanted.
> 
> @Ralph Palmer, you may have forgot to put content into your message? At least 
> none arrived here.
> 
> Best, Ole
> 
> Sent with Proton Mail secure email.
> 
> ------- Original Message -------
> On Saturday, January 28th, 2023 at 00:09, Jean Abou Samra j...@abou-samra.fr 
> wrote:
> 
> 
> 
> > On 27/01/2023 22:35, Ole V. Villumsen wrote:
> > 
> > > Hi, I am typesetting a movement with a repeat and a clef change right 
> > > after the repeat. I have a suitable line break where the repeat ends and 
> > > the clef change happens. Default Lilypond sets the new clef within the 
> > > repeat, before the end-repeat sign, which I don’t want and find 
> > > meaningless in my case since there is no clef change when repeating from 
> > > the beginning, only when continuing after the repeated section. Instead I 
> > > want the clef after the end-repeat and before the line break. I can do 
> > > that by setting the clef change off from the repeated section by a small 
> > > space. Only the space comes out much larger than expected.
> > > 
> > > Tiny example:
> > > 
> > > \version "2.24.0"
> > > 
> > > \relative c' {
> > > \repeat volta 2 {
> > > g'4 4 4 4 | 4 4 4 4 | 4 4 4 4 | 4 4 4 8 8 |
> > > }
> > > s1024
> > > \clef bass
> > > \break
> > > \set Timing.measurePosition = #(ly:make-moment 0/4)
> > > c,,4 4 4 4 | 4 4 4 4 | 4 4 4 4 | 4 4 4 4 |
> > > }
> > > 
> > > I enclose the output as png. My 1024th spacer rest is broader than the 
> > > two preceding quavers (8th notes) combined.
> > > 
> > > * Curious question: why is that?
> > 
> > Not sure, but my guess is that LilyPond might be trying to make different
> > measures have not-too-distant lengths. This is just a guess; I didn't try
> > to investigate, because:
> > 
> > > * Constructive question: how to avoid it?
> > 
> > Don't use a spacer rest in the first place. See below.
> > 
> > > * Real question: How do I set the clef nicely immediately> after the 
> > > end-repeat with minimal space between?
> > 
> > Use
> > 
> > \version "2.24.0"
> > 
> > \relative c' {
> > \repeat volta 2 {
> > g'4 4 4 4 | 4 4 4 4 | 4 4 4 4 | 4 4 4 8 8 |
> > }
> > \once \override Score.BreakAlignment.break-align-orders =
> > ##((left-edge staff-ellipsis cue-end-clef ambitus breathing-sign 
> > signum-repetitionis cue-clef staff-bar clef key-cancellation key-signature 
> > time-signature custos)
> > (left-edge staff-ellipsis cue-end-clef ambitus breathing-sign 
> > signum-repetitionis clef cue-clef staff-bar key-cancellation key-signature 
> > time-signature custos)
> > (left-edge staff-ellipsis ambitus breathing-sign signum-repetitionis clef 
> > key-cancellation key-signature time-signature staff-bar cue-clef custos))
> > \clef bass
> > \break
> > c,,4 4 4 4 | 4 4 4 4 | 4 4 4 4 | 4 4 4 4 |
> > }
> > 
> > I just took the default on
> > https://lilypond.org/doc/v2.24/Documentation/internals/breakalignment
> > and moved "clef" after "staff-bar" in the first list.
> > 
> > Best,
> > Jean

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