tsMarkup = \markup { \override #'(baseline-skip . 0.5) \number { \column { "2" "4" } \musicglyph #"scripts.stopped" \column { "3" "4" } }
and this in the score (note the tsMarkup): % Variation VI % rehearsal 52\override Staff.TimeSignature #'print-function = #Text_interface::print
\override Staff.TimeSignature #'text = #tsMarkup \time 5/4 \once \override TextScript #'font-size = #3 \once \override TextScript #'padding = #2d8)^\markup { \bold { Var. VI } } g-. d-. g-. \bar ":" fis4( e8) r b16( c b c
d8) e d e \bar ":" c2 c16( d c d % \break e8) bes'-. e,-. bes'-. \bar ":" a4( g8) r e16( f e f g8) a-. g-. a-. \bar ":" fis2 r4 \bar "||" \revert Staff.TimeSignature #'print-function \revert Staff.TimeSignature #'text \time 4/4See the attachment for the result. This is a work-in-progress, so a few things on this page are still messy, but the time signature at 52 is fine. As for the parentheses in your example, you can make really big parentheses with \markup and offset them to the appropriate location.
Hope this helps. -- Kris Shaffer graduate student in music theory, Yale University co-editor-in-chief for music theory, AmSteg.org www.shaffermusic.comOn Tue, 06 Dec 2005 03:45:19 -0500, David Bobroff <[EMAIL PROTECTED]> wrote:
I'd like to do this: http://notendur.centrum.is/~bobroff/lily/vartime.png Now, I figure I can handle the "invisible" changes between 9/8 and 3/4 by using \compressMusic or \times as necessary. I'm guessing that the compound time signature hack could serve as a model for the displaying the time signature as it is in the above example, but I only about half understand how that all works. Insights/comments/suggestions are welcome. -David _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
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