On Mon, 2005-12-19 at 17:49 -0800, Kenneth Teh wrote: > What you typically do is write something like > > changes = \chordmode { > a1:m | > s2 bes | > }
I did the following: harmonies = \chordmode { a1:m | a2:m bes | c1 | a1:m | f | e | f | c2 d:m | a1:m | a2:m g:m | f1 | c | a/cis | d:m | a:m | g | a:m | d2:m g | a1:m } > Btw, the s2 bes will do exactly what you want, skip 2 > beats and write the chord name on the 3rd beat. If > you want the A minor to extend into the second > measure, you will have to repeat the chord or tie it. > The ChordNames context has a flag #chordChanges which > you can set to ##t so that it will suppress repeated > chords from being printed. Are you sure about the number values? I ask because I used the number values after the chord character 'a1' to indicate its a whole measure and 'a2' to indicate a half measure and got the results I wanted. Aside on the slur how do you slur chord names? For example how do I get away with no repeating the Am chord in the second measure. Stephen
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