Hi Markus:
so I used Kieren's example as a starting point...
I put my result in the LSR (Rhythm marks / play style indication):
http://lsr.dsi.unimi.it/LSR/Item?id=204
Have fun!
Very cool, thank you. :)
After looking at Kieren's example I cobbled together the following
solution. It's quite inelegant, but it at least demonstrates that, as
Paul Scott said, all the pieces are there.
Best regards,
Dave Phillips
% metmark.ly
% simple example of
% swing rhythm equivalency
\version "2.8.4"
\layout
{
ragged-right = ##t
}
metMarkTriplet = \mark \markup
{
\line \right-align
{
""
\hspace #0.5
\score
{
\relative { \voiceOne \times 2/3 { b'4 b8 } }
\layout
{
line-width = 0.4\in
indent = 0
\context
{
\Staff
\remove "Clef_engraver"
\remove "Time_signature_engraver"
\remove "Staff_symbol_engraver"
}
}
}
}
}
metMarkEighth = \mark \markup
{
\line \left-align
{
""
\hspace #0.5
\score
{
\relative { \voiceOne { b'8[ b8] } }
\layout
{
line-width = 0.4\in
indent = 0
\context
{
\Staff
\remove "Clef_engraver"
\remove "Time_signature_engraver"
\remove "Staff_symbol_engraver"
}
}
}
}
}
metMarkEqual = \mark \markup { "=" }
Flute = {
\metMarkEighth s4
\once \override Score.RehearsalMark #'Y-offset = #2.5
\metMarkEqual s4
\metMarkTriplet s2
}
\score {
\new Staff << \Flute >>
\layout { }
}
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