Luc <luc <at> smooth.ch> writes: > > In this measure under Windows XP, the notehead of the last "bes" is > separated from the accidental by the upper voice - can this be remedied? > > \version "2.8.6" > > \score { > << > \override Staff.NoteCollision #'merge-differently-headed = ##t > \override Staff.NoteCollision #'merge-differently-dotted = ##t > #(set-accidental-style 'modern) > > \context Voice="oben" { > \stemUp > \clef "G" > \key f \major > \time 3/8 > g 8 > c '' 16 > b ' 16 > c '' 8 > } > \\ > \context Voice="unten" { > \stemDown > g 8 > bes ' 8 > bes ' 8 > } > >> > \layout {ragged-right= ##t} > } >
Only now I discovered the paper "Standard Music Notation Practice" edited by the Music Publisher Association where they recommend to do it like Lilypond does - i.e. to align the stems of notes with opposite stems and an interval of a second. However, what I am complaining about is not the appearance of the 3rd 8th of this measure. I just have the feeling that the readability of this measure is not optimal since the flat sign of the last "bes" seems to be nearer to the preceding 16th than to the note it belongs to. Sorry to have bothered you! Luc _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user