Either use a separate identifier like
\mypagebreaks = {\skip 4*20 \pageBreak ...}
or use the \tag feature.
Note also that the page breaking algorithm in version 2.10 is much more
clever
than in previous versions, so it should automatically try to place page
breaks
when there is a long rest.
/Mats
Anthony W. Youngman wrote:
In message
<[EMAIL PROTECTED]>,
=?UTF-8?Q?Trevor_Ba=C4=8Da?= <[EMAIL PROTECTED]> writes
It just seems like, if ever there were global information in musical
score, that that global information would include line- and
page-breaking information. As it is, line- and page-breaking
information *must* now embed within musical input, which just seems
odd: after all, the breaking information certainly doesn't "belong" to
one voice or one staff or one staff group; if anything, maybe the
breaking information "belongs" to a single score ... almost makes me
think that explicit breaking information belongs in the \with block of
the score.
Has anyone else ever had that feeling?
Very good idea ...
The stuff I do is pretty much all setting parts. But I'd also like to
combine those parts into scores. And, while I don't know how the new
page breaking handles it, I have come across plenty of parts that have
a page turn in the middle of a phrase ... (and often a rest close
by!!!). So you need to break different parts in different places. If
your score then applies all of those breaks ...
Yep - I think it's a very good idea moving explicit breaks out of the
voice context. Question is, can it be done easily? And if so, how?
Cheers,
Wol
--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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