Ezequiel Slurs operate only within a single Voice context, whereas one of your slurs would need to operate across two different Voices - Voice "1" before the \\ and Voice "2" after the \\ - in the way you have written it.
You can achieve the double slur which I think you want by
moving the 'c' from the '<a c>' chord into Voice "1", and
putting a slur in each of the two Voices, as follows (see
1.png):
\version "2.8.6"
\score {
\relative c''
<< { c8( [ d8 ] c4) } \\ { fis4( a) } >>
}
\layout {ragged-right = ##t}
Putting the 'c' in Voice "1" seems better musically, but if
you really wish to keep the <a c> as a chord with a single
stem, you need a fiddle - hide the c4 in Voice "1" (leaving
it there to terminate the slur) and put the 'c' back in the
chord in Voice "2" (see 2.png):
\version "2.8.6"
\score {
\relative c''
<< { c8( [ d8 ] \hideNotes c4) } \\ { fis4( <a c>) } >>
}
\layout {ragged-right = ##t}
Double slurs operate only in a single voice, so they don't
help here where the differing rhythms require two Voices.
HTH
Trevor
> -----Original Message-----
>
> << { c8 [ d8 ] } \\ { fis,4 } ( <a c> ) >>
> i want to have a double slur from the c8 and
> fis,4 to the chord <a
> c> i have doubleslurs ##t but it only gives one slur
>
>
>
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>
1.png
Description: PNG image
2.png
Description: PNG image
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