On Mon, Jan 22, 2007 at 10:16:21AM +0100, Mats Bengtsson wrote:
> It's much easier to answer such a question if you include a short example
> of what you are trying to do. I'm not sure I understand what you mean,
> since a TabVoice doesn't print any fingerings by default.
>
> If you search the index of the manual for
> "Transparent objects" or "Invisible objects", you will find a generic
> answer.
>
Damn, it appears I've forgotten my attachment, here it is this time.
--
Stéphane Epardaud
\version "2.10.10"
\header {
title = "Delbosh"
instrument = "Guitars"
arranger = "Transcribed by Stef Epardaud"
composer = "Composed by Stef Epardaud"
copyright = "Copyright Solus Numeri"
tagline = "Transcribed using LilyPond (www.lilypond.org)"
}
#(set-global-staff-size 11)
\include "italiano.ly"
riffAA = {
lad8[\4( re8\4 la8\4 lad8\4 re8\4]
lad8[\4 re8\4 la8\4 lad8\4 re8\4]
lad8[\4 re8\4 la8\4 lad8\4 re8\4 do'8\4 re8)\4]
}
guitarA = {
\tempo 4=152
\time 17/8
%intro
lad8[^"disto"\4( re8\4 la8\4 lad8\4 re8\4]
lad8[\4 re8\4 la8\4 lad8\4 re8\4]
lad8[\4 re8\4 la8\4 lad8\4 re8\4 do'8\4 re8)\4]
% bass
\repeat unfold 7 {
\riffAA
}
\repeat unfold 4 {
\riffAA
}
% avec les accords
\repeat volta 2 {
\riffAA
\riffAA
\riffAA
}
% la transition
\riffAA
\riffAA
% les accords
\repeat percent 2 {
\riffAA
}
}
guitarB = {
\time 17/8
\repeat unfold 8{
R8*17
}
%en ternaire
<re,\7 la,\6 re\5>8^.^"disto" r4
<re,\7 la,\6 re\5>8^. r4
<re,\7 la,\6 re\5>8^. r4
<re,\7 la,\6 re\5>8^. r4
<re,\7 la,\6 re\5>8^. r4
<re,\7 la,\6 re\5>8^. r8
r8
<re,\7 la,\6 re\5>8^. r4
<re,\7 la,\6 re\5>8^. r4
<re,\7 la,\6 re\5>8^. r4
<re,\7 la,\6 re\5>8^. r4
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
% en binaire
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^.
r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
<re,\7 la,\6 re\5>8^. r8
% les accords
\repeat volta 2 {
<la,\5 mi\4 la\3>2 ~ <la,\5 mi\4 la\3>8
<lad,\5 fa\4 lad\3>1 ~ <lad,\5 fa\4 lad\3>2
~ <lad,\5 fa\4 lad\3>1 ~ <lad,\5 fa\4 lad\3>4
<do\5 sol\4 do'\3>2 ~ <do\5 sol\4 do'\3>8
<re\5 la\4 re'\3>4
~ <re\5 la\4 re'\3>1 ~ <re\5 la\4 re'\3>1
~ <re\5 la\4 re'\3>8
}
% la transition en deux mesures
<la,\5 mi\4 la\3>2 ~ <la,\5 mi\4 la\3>8
<lad,\5 fa\4 lad\3>1 ~ <lad,\5 fa\4 lad\3>2
~ <lad,\5 fa\4 lad\3>1 ~ <lad,\5 fa\4 lad\3>4
<do\5 sol\4 do'\3>2 ~ <do\5 sol\4 do'\3>4.
% les accords plus graves
\repeat percent 2 {
<fad,\6 dod\5 fad\4>8^. r4 <fad,\6 dod\5 fad\4>8^. r8
<fad,\6 dod\5 fad\4>8^. r4 <fad,\6 dod\5 fad\4>8^. r8
<fad,\6 dod\5 fad\4>8^. r4
<sol,\6 re\5 sol\4>8^. r8
<re,\7 la,\6 re\5>8^. r8
}
}
riffCA = {
re8^.\5 r4 re8^.\5 r8
re8^.\5 r4 re8^.\5 r8
re8^.\5 r4 re8^.\5 r8 re8^.\5 r8
}
guitarC = {
\time 17/8
\repeat unfold 6{
R8*17
}
\repeat unfold 6 {
R8*17
}
\repeat volta 2 {
re8^.^"disto"\5 r4 re8^.\5 r8
re8^.\5 r4 re8^.\5 r8
re8^.\5 r4 re8^.\5 r8 re8^.\5 r8
\riffCA
\riffCA
}
}
\score {
<<
\context StaffGroup = staffA<<
\context Staff<<
% Hide fingering number
\override Staff.Fingering #'transparent = ##t
\set Staff.instrumentName = "Guitar 1"
\set Staff.shortInstrumentName = "Gtr1"
\set Staff.midiInstrument = "distorted guitar"
\guitarA
>>
\context TabStaff<<
% Hide fingering number
\override Staff.Fingering #'transparent = ##t
\override Staff.Stem #'direction = #1
\set TabStaff.stringTunings = #'(4 -1 -5 -10 -15 -20 -25)
\set TabStaff.keepAliveInterfaces = #'(note-head-interface rest-interface)
\guitarA
>>
>>
\context StaffGroup = staffB<<
\context Staff<<
% Hide fingering number
\override Staff.Fingering #'transparent = ##t
\set Staff.instrumentName = "Guitar 2"
\set Staff.shortInstrumentName = "Gtr2"
\set Staff.midiInstrument = "distorted guitar"
\guitarB
>>
\context TabStaff<<
% Hide fingering number
\override Staff.Fingering #'transparent = ##t
\override Staff.Stem #'direction = #1
\set TabStaff.stringTunings = #'(4 -1 -5 -10 -15 -20 -25)
\set TabStaff.keepAliveInterfaces = #'(note-head-interface rest-interface)
\guitarB
>>
>>
\context StaffGroup = staffC<<
\context Staff<<
% Hide fingering number
\override Staff.Fingering #'transparent = ##t
\set Staff.instrumentName = "Guitar 3"
\set Staff.shortInstrumentName = "Gtr3"
\set Staff.midiInstrument = "distorted guitar"
\guitarC
>>
\context TabStaff<<
% Hide fingering number
\override Staff.Fingering #'transparent = ##t
\override Staff.Stem #'direction = #1
\set TabStaff.stringTunings = #'(4 -1 -5 -10 -15 -20 -25)
\set TabStaff.keepAliveInterfaces = #'(note-head-interface rest-interface)
\guitarC
>>
>>
>>
\layout {
papersize = "a4"
\context {
\RemoveEmptyStaffContext
}
\context {
\TabStaff
\remove "Axis_group_engraver"
\consists "Hara_kiri_engraver"
\override Beam #'auto-knee-gap = #'()
\override VerticalAxisGroup #'remove-empty = ##t
}
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 300 8)
}
}
}_______________________________________________
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