2007/7/25, Siska Ádám <[EMAIL PROTECTED]>:
As an explanation, the 1/6 pitch accidentals are actually simple vertical arrows, which can be standalone (that means 1/6 pitch higher or lower as the base pitch) or combined with sharp symbols (if this is the case, the obtained pitch is 1/6 higher or lower than the respective sharp). Theoretically there could also be arrows combined with flats, but they are not necessary to get the full 'palette' of 1/6 pitches (for example, [uparrow + g flat] would mean the same as [uparrow + f sharp]). Some times the standalone arrows are combined with natural symbols. I'm not sure if these signs are standardized or not, but composers like Grisey or Murail use these symbols frequently in their scores.
What about the following trick? (It looks ugly on screen, but fine when printed) It has to be adapted, of course. %%%snippet upp = #(define-music-function (parser location note) (ly:music?) #{ \once \override Voice.Accidental #'stencil = #ly:text-interface::print \once \override Voice.Accidental #'text = \markup {\musicglyph #"accidentals.sharp" \postscript #"gsave 0.17 setlinewidth -1.4 0.5 moveto -1.4 2 lineto stroke grestore gsave 0.1 setlinewidth -1.7 1.4 moveto -1.4 2.18 lineto -1.1 1.4 lineto stroke grestore"} $note #}) \relative { a b d \upp gis } %%% Regards, Valentin Villenave _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user