> I am not top posting You have your problem (partly) resolved in the documentation D.2.4 Piano centered dynamics. I am also interested in a good MIDI output. At he beginning, I was hiding some dynamics, particularly after a (de)crescendo, but now I prefer writing the dynamics separately from the notes. So I write tthe dynamics twice: 1. for the score, as they have to appear on it 2. for the Midi Output, so I can control their effect. If your are particularly interested in a good Midi output, I'll give you an example of the way I manage it (Voice + piano staves). Cheers. Philippe
Ed Ravin <eravin <at> panix.com> writes: > > In piano music, the dynamics written between the upper and lower > staves seem to apply to both staves. But in LilyPond's MIDI output, > the dynamics are understandably only placed in the staff where they > were entered. When the MIDI plays, one staff gets louder and softer > in the right places, while the other plays at the same volume throughout. > > I know that LilyPond's main purpose is music typesetting, with the MIDI > output a secondary function, but is there any way to deal with this? > Maybe write the dynamics in a second time on the lower staff and make > them all invisible somehow? > _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user