Kieran Coulter wrote on 05 October 2007 03:38
>
> Thanks for the tip Trevor, I will try it out!
>
> So just to be totally sure,
>
> 1) you add the tempo map, "killing time" with
> s's, as its own voice?
No, although that might work. I've attached the main file of the example I
posted (Choir&Piano.ly), which contains the structure and is quite well
commented, as this was a learning exercise for me, and all the files which are
included. As it stands all these need to be placed in a folder called
"includes" if you want to compile it. (Mats: any hints on improving this are
welcome!) You'll see the Tempi.ly file contains a number of variables like
TempiA below all gathered together in a variable Tempi. (This is simply for
ease of editing - one tempi variable to a page of the score I was
transcribing.) Then, as you can see, I simply include \Tempi in the soprano
voice in parallel with the soprano music.
>
> 2) Do you still need to add the global default
> tempo in the MIDI block if you do this?
Yes, I believe this is still necessary - it was in LP 2.8.
> tempoWholesPerMinute = #(ly:make-moment 72 4)
Or rather simpler:
\tempo 4=72
>
> 3) If so, and you also explicitly add a tempo in
> measure 1 of your tempo voice, and they are
> different, does it produce an error or does one
> override the other?
I've not tried making them different, but I would guess the one in the measure
would prevail.
>
> Thanks again!
>
> Kieran
>
Trevor
> >Quoting Trevor Daniels <[EMAIL PROTECTED]>:
> >
> >> Hi Kieran
> >>
> >> The following shows how I change the Midi
> tempi - you can
> >> easily adapt this example to do what you want:
> >>
> >> TempiA= {
> >> \override Score.MetronomeMark #'padding = #3.0
> >> %Page 1 System 1 Bar 1
> >> \tempo 2=80 s1 | s | s | s | s | s | s |
> >> %Page 1 System 2 Bar 8
> >> % the following tempo changes implement the
> fermata in bar
> >> 9
> >> \override Score.MetronomeMark #'transparent =
> ##t % hide
> >> the marks
> >> s1 | \tempo 2=50 s | \tempo 2=80 s | s1 | s |
> s | s | s | s
> >> |
> >> %Page 1 System 3 Bar 17
> >> % the following tempo changes implement the
> fermata in bar
> >> 18
> >> s1 | \tempo 2=50 s | \tempo 2=80 s | s | s | s
> | s | s |
> >> }
> >>
> >> I simply insert this in parallel with the music.
> >>
> >> Trevor
> >>
> >> -----Original Message-----
> >> From:
> [EMAIL PROTECTED]
> >>
> [mailto:lilypond-user-bounces+t.daniels=treda.co.u
[EMAIL PROTECTED]
>> On Behalf Of Kieran Coulter
>> Sent: 10 July 2007 01:51
>> To: lilypond-user@gnu.org
>> Subject: multiple tempi in a single piece
>>
>>
>> Hi everyone,
>>
>> I am sure there is a way to do this, but maybe someone here
>> has already faced this challenge and can help show me how it
>> can be done.
>>
>> My example is the Bach Sinfonia from Partita #2. It has a
>> Grave, Andante, and Allegro, but the MIDI file plays all the
>> sections at the same speed, 120bpm. I am looking for a way
>> to modify the .ly file so that it generats a MIDI file that
>> plays the Grave at say 40bpm, the Andante at 80bpm, and only
>> the Allegro at 120bpm.
>>
>> I would greatly appreciate any help to discover how to do
>> this!
>>
>> Thanks,
>>
>> Kieran Coulter
>>
>>
>>
>>
>>
>> _______________________________________________
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> http://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>
>
>
\version "2.8.6"
% O Sacrum Convivium
% Farrant
% Choir and Piano Reduction Score
\include "mydefs.ly"
\include "includes/Tempi.ly"
\include "includes/Breaks-5.ly"
\include "includes/Soprano.ly"
\include "includes/Alto.ly"
\include "includes/Tenor.ly"
\include "includes/Bass.ly"
#(set-global-staff-size 18) % set overall size of score layout (for 4 pages)
%#(set-global-staff-size 14.5) % set overall size of score layout (for 3 pages)
globalStaff={
\key g
\major
\time 2/2
\lyricSize #2.0 % increase size of lyrics
}
\header {
title = \markup { \fontsize #4 "O Sacrum Convivium" }
subtitle = " "
subsubtitle = " "
composer = "Music by Richard Farrant (c1530-1580)"
poet = "Words by Thomas Aquinas (1225-1274)"
tagline = "Music engraving by Trevor Daniels using LilyPond 2.8.6 - www.lilypond.org"
}
\markup {
\fill-line {
\hspace #1.0
\column {
\line {" "}
\line {" "}
\line {" "}
\line {" "}
\line {" "}
\line {"O sacrum convivium" }
\line {"in quo Christus sumitur," }
\line {"recolitur memoria passionis ejus," }
\line {"mens impletur gratia," }
\line {"futurae gloriae nobis pignus datur." }
\line {"Amen."}
\line {" "}
\line {" "}
\line {" "}
\line {" "}
}
\hspace #2
\column {
\line {" "}
\line {" "}
\line {" "}
\line {" "}
\line {" "}
\line { \italic {"O sacred feast"} }
\line { \italic {"in which Christ is received,"} }
\line { \italic {"the memory of His Passion is renewed,"} }
\line { \italic {"the mind is filled with grace," } }
\line { \italic {"and a pledge of future glory is given to us." }}
\line { \italic {"Amen."}}
\line {" "}
\line {" "}
\line {" "}
\line {" "}
}
\hspace #1.0
}
}
\score {
<< % start staves
\new ChoirStaff << % the actions defined at this level are in parallel
\new Staff=Soprano
\with {
\consists Ambitus_engraver % show vocal range required
}
<< % specify new staff explicitly (needed for midi)
\set Staff.instrument = \markup { \hcenter-in #6 "Soprano" }
\set Staff.instr = \markup { \hcenter-in #3 "S" }
\clef treble
\globalStaff
\set Staff.midiInstrument="Voice Oohs"
\context Voice=Soprano {
\dynamicUp
<<
\Tempi % set tempi from includes/Tempi.ly
\Breaks % implement page breaks
\removeWithTag #'Piano % don't apply piano-positioning of dynamics to soprano
\SopranoDynamics
\SopranoMusic
>>
} % end context Voice=Soprano
\new Lyrics=SopranoLyrics \lyricsto Soprano {
\SopranoLyrics
}
>> % end context Staff=Soprano
\context Staff=Alto
\with {
\consists Ambitus_engraver % show vocal range required
}
<<
\set Staff.instrument = \markup { \hcenter-in #6 "Alto" }
\set Staff.instr = \markup { \hcenter-in #3 "A" }
\clef treble
\set Staff.midiInstrument="Voice Oohs"
\globalStaff
\context Voice=Alto { % Voice implies new staff
\dynamicUp
<<
\AltoDynamics
\AltoMusic
>>
}
\new Lyrics \lyricsto Alto {
\AltoLyrics
}
>>
\context Staff=Tenor
\with {
\consists Ambitus_engraver % show vocal range required
}
<<
\set Staff.instrument = \markup { \hcenter-in #6 "Tenor" }
\set Staff.instr = \markup { \hcenter-in #3 "T" }
\clef "G_8"
\globalStaff
\set Staff.midiInstrument="Voice Oohs"
\context Voice=Tenor {
\dynamicUp
<<
\TenorDynamics
\TenorMusic
>>
}
\new Lyrics \lyricsto Tenor {
\TenorLyrics
}
>>
\context Staff=Bass
\with {
\consists Ambitus_engraver % show vocal range required
}
<<
\set Staff.instrument = \markup { \hcenter-in #6 "Bass" }
\set Staff.instr = \markup { \hcenter-in #3 "B" }
\clef bass
\globalStaff
\set Staff.midiInstrument="Voice Oohs"
\context Voice=Bass {
\dynamicUp
<<
\BassDynamics
\BassMusic
>>
}
\new Lyrics \lyricsto Bass {
\BassLyrics
}
>>
>>
\PianoStaffWithSize #-2 #11 % Reduce staff and font sizes (-2) and increase separation (11)
<< % start components of PianoStaff in parallel
\set PianoStaff.instrument = \markup { \column { \hcenter-in #6 Piano \italic { \center-align {"(only for" rehearsal) } } } }
\new Staff=RH {
\globalStaff
\clef treble
\set Staff.printPartCombineTexts = ##f % don't want solo annotation
\partcombine
<<
\SopranoMusic
>>
<<
\AltoMusic
>>
} % end Staff=Treble
\new Staff=LH {
\globalStaff
\clef bass
\set Staff.printPartCombineTexts = ##f
\partcombine
<<
\TenorMusic
\dynamicUp
% Use tagged soprano dynamics for piano
\keepWithTag #'Piano
\SopranoDynamics
>>
<<
\BassMusic
>>
} % end Staff=Bass
>> % end PianoStaff
>> % end Staves
\layout {
% Here go all the score-related commands which influence the printed score's general appearance %
\context {
\Score \override BarNumber #'padding = #3 % move bar numbers up to avoid collision with StaffGroup bracket
}
\context {
\Staff \override TimeSignature #'style = #'numbered % Avoid cut-time symbol on all staves
}
} % end layout
\midi {
\tempo 2=80 % Tempi are set explicitly in tempi.ly
% but the first is needed here
}
} % end Score
\paper {
% Here go all the non-score-related commands which set up the paper appearance
ragged-bottom=##t
print-page-number = ##t % print page numbers
}
%O Sacrum Convivium
%Farant
\include "includes/futuraeLyrics.ly"
\include "includes/nobisLyricsA.ly"
\include "includes/nobisLyricsB.ly"
%Alto Part
AltoMusicA= \relative c' {
%Page 1 System 1 Bar 1
d1 | e2.( fis4) | g2 fis | e2. g4 | fis1 | r2 fis4 fis | g2 fis |
%Page 1 System 2 Bar 8
a2 a4( g) | fis2\fermata r | d2( e4 fis) | g2. g4 | fis2 e | fis( g) | g( e) | e g4 g | fis2 e |
%Page 1 System 3 Bar 17
e2( d4 c) | b2\fermata r | d d | g g g2. g4 | g2*2/3 \breathe s2*1/3 g2 | g g | g2. g4 |
}
AltoMusicB= \relative c' {
%Page 2 System 1 Bar 25
fis1 | R | r2 d | g g | fis e4 d | e2( fis) |
%Page 1 System 2 Bar 31
g1 | R | r2 g( | e) d | d fis | e1 | d2 d( |
%Page 1 System 3 Bar 38
c) b4( c) | d2 d | e( d) | b r | R1 | r2 d |
}
AltoMusicC= \relative c' {
%Page 3 System 1 Bar 44
g' g | fis e4 d | e2( fis) g1 | R |
%Page 3 System 2 Bar 49
r2 g( | e) d | d fis| e1 | d2 d( | c) b4( c) |
%Page 3 System 3 Bar 56
d2 d | e( d) | b1\fermata | r\fermata |
}
AltoMusicD= \relative c'' {
%Amen from Anthem Book p 97
r2 e,~( | e4 d c d | b1) | g~ | g2 g'~( | g4 fis e2) |
c2 f~( | f4 e d c) | b2 g' | g g4( fis | e1~ | e2 d) | d1~ | d1 \fermata |
}
AltoMusicE= \relative c' {
%Amen based on Farrant by Trevor Daniels
d4( e fis g~ | g4 fis) g2 | fis2( g4 fis | g2 a4 fis | e2 g | fis e~ | e d4 c) | b1 |
r1 | e2 d | d2( g4 fis4 | e1 | d2) e2*2/3\fermata s2*1/6\breathe s2*1/6 | c2( b4 c | d1 | e2 d) | b1 |
r2 b4( c | d1 | e2 d) | b1~ | b\fermata |
}
AltoMusic= {
\AltoMusicA
\AltoMusicB
\AltoMusicC
\AltoMusicE
}
AltoLyricsA= \lyricmode {
O sa -- crum con -- vi -- vi -- um
in \lyricSpace #2 quo Chris -- tus \lyricSpace #0 su -- mi -- tur,
re -- co -- li -- tur me -- mo -- ri -- a pas -- si -- o -- nis e -- jus,
mens im -- ple -- tur gra -- ti -- a, im -- ple -- tur gra -- ti --
}
AltoLyricsB= \lyricmode {
a,
\futuraeLyrics
no -- bis
\nobisLyricsA
\nobisLyricsA
}
AltoLyricsC= \lyricmode {
\futuraeLyrics
no -- bis
\nobisLyricsA
\nobisLyricsB
}
AltoLyricsD = \lyricmode {
A -- men, A -- men, A -- men, A -- men, A -- men.
}
AltoLyricsE = \lyricmode {
A -- men, A -- men, A -- men, A -- men, A -- men, A -- men.
}
AltoLyrics= {
\AltoLyricsA
\AltoLyricsB
\AltoLyricsC
\AltoLyricsE
}
AltoDynamicsA= {
%Page 1 System 1 Bar 1
s1\p | s | s | s | s | s\cresc | s |
%Page 1 System 2 Bar 8
s2 s\!\mf | s1 | s2\p s2 | s1 | s | s | s | s | s |
%Page 1 System 3 Bar 17
s1 | s\cresc | s | s | s | s2\!\f s | s1 | s2.\< s4\!|
}
AltoDynamicsB = {
%Page 2 System 1 Bar 25
s4\ff\> s2 s4 | s4\!\mf s2. | s2\cresc s | s1 | s | s |
%Page 2 System 2 Bar 31
s1 | s | s2 s2\!\f | s1 | s | s2\dim s2 | s1 |
%Page 2 System 3 Bar 38
s1 | s | s\!\p | s | s | s2\cresc s2 |
}
AltoDynamicsC = {
%Page 3 System 1 Bar 44
s1 | s | s | s\!\f | s |
%Page 3 System 2 Bar 49
s1 | s | s | s\> | s2 s2\!\pp | s1^\markup{ \italic \large rall} |
%Page 3 System 3 Bar 55
s1 | s | s | s |
}
AltoDynamicsD = {
%Amen from Anthem Book p 97
s2 s\p | s1 | s | s | s2 s\mp | s1 |
s2 s\mf | s1 | s2 s\f | s s\> | s1 | s1 | s4\!\p s4 s2| s1 |
}
AltoDynamicsE = {
%Amen based on Farrant by Trevor Daniels
s1\p | s1 | s1\mp | s1 | s1 | s1 | s4\> s s s\! | s1\p |
s1 | s1\f | s1\> | s1 | s1\!\mp | s1 | s1 | s1 | s1 |
s2^\markup{ \italic \large rall} s\> | s1 | s1\!\pp | s1 | s1 |
}
AltoDynamics= {
\AltoDynamicsA
\AltoDynamicsB
\AltoDynamicsC
\AltoDynamicsE
}
%O Sacrum Convivium
%Farant
\include "includes/futuraeLyrics.ly"
\include "includes/nobisLyricsA.ly"
\include "includes/nobisLyricsB.ly"
%Bass Part
BassMusicA= \relative c' {
%Page 1 System 1 Bar 1
g1 | e2.( d4) | g2 d | e c | d1 | r2 d4 d | g2 b |
%Page 1 System 2 Bar 8
a2 a | d,2\fermata r| b'2( a) | g2. g4 | d2 e | d( c) | g'( a) | e b4 b | d2 e |
%Page 1 System 3 Bar 17
c2( d) | <g g,>2\fermata r | g g | g e | g2. g4 | g2*2/3 \breathe s2*1/3 g2 |
g g | c,2. c4 |
}
BassMusicB= \relative c {
%Page 2 System 1 Bar 25
d2 d4 d | g2 g | fis e4 d | e2 e | d c4( b) | a1 |
%Page 1 System 2 Bar 31
g2 g' | c c | b a4 g | g2 fis | g d | e( a,) | d g( |
%Page 1 System 3 Bar 38
c,2) e | d b | c( d) | g,
}
BassMusicC= \relative c {
%Page 2 System 3 Bar 41
g2 | g' g | fis e4 d |
%Page 3 System 1 Bar 44
e2 e | d c4( b) | a1 | g2 g' | c c |
%Page 3 System 2 Bar 49
b2 a4 g | g2 fis | g d | e( a,) | d g( | c,) e |
%Page 3 System 3 Bar 55
d2 b | c( d) | g1\fermata | r\fermata |
}
BassMusicD= \relative c {
%Amen from Anthem Book p 97
r2 c~( | c4 d e fis) | g2 g,~( | g4 a b2) | c1~ | c |
d1 | d1 | e2.( d4 | c2 b | c1) | g1~ | g1~ | g1 \fermata |
}
BassMusicE= \relative c' {
%Amen based on Farrant by Trevor Daniels
r1 | g4( d e2 | d c | g' a4 d, | e2 b | d e | c d) | g,1 |
b'2( a4 g | a g) fis2 | g( d | e c | fis) e2*2/3 \fermata s2*1/6 \breathe s2*1/6 | c4( d e2 | d b | c d) | g,1 |
r2^\markup{ \italic \large rall} e'( | d b | c d) | g1~ | g\fermata |
}
BassMusic= {
\BassMusicA
\BassMusicB
\BassMusicC
\BassMusicE
}
BassLyrics= { \TenorLyrics}
BassDynamicsD = {
%Amen from Anthem Book p 97
s2 s2\p | s1 | s2 s\mp | s1 | s | s |
s1\mf | s | s2.\f s4 | s2 s\> | s1 | s1 | s4\!\p s4 s2| s1 |
}
BassDynamicsE = {
%Amen based on Farrant by Trevor Daniels
s1 | s1\p | s1\mp | s1 | s1 | s1 | s1\> | s1\!\p |
s1 \mp\<| s1\!\f | s1\> | s1 | s2\!\mp s | s1 | s1 | s1 | s1 |
s2 s\> | s1 | s1\!\pp | s1 | s1 |
}
BassDynamics= {
\TenorDynamicsA
\TenorDynamicsB
\TenorDynamicsC
\BassDynamicsE
}
\version "2.8.6"
% O Sacrum Convivium
% Farant
% Page Breaks for 5-page score
Breaks= {
%Page 1 System 1 Bar 1
s1 | s | s | s | s | s | s |
%Page 1 System 2 Bar 8
s1 | s \break | s | s1 | s | s | s | s | s |
%Page 1 System 3 Bar 17
s1 | s \break | s | s | s | s | s | s |
%Page 2 System 1 Bar 25
s1 | s \break | s | s | s | s |
%Page 2 System 2 Bar 31
s1 | s | s | s \break | s | s | s |
%Page 2 System 3 Bar 38
s1 | s | s | s | s \break | s |
%Page 3 System 1 Bar 44
s1 | s | s | s | s |
%Page 3 System 2 Bar 49
s1 | s \break | s | s | s | s |
%Page 3 System 3 Bar 55
s1 | s | s | s \break |
%Amen based on Farrant by Trevor Daniels
s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 |
s1 | s1 | s1 \break | s1 | s1 | s1 | s1 | s1 | s1 |
s1 | s1 | s1 | s1 | s1 |
}
%\version "2.6.5"
%O Sacrum Convivium
%Farant
%Soprano Part B
futuraeLyrics= \lyricmode {
fu -- tu -- rae glo -- ri -- ae
}
%\version "2.6.5"
%O Sacrum Convivium
%Farant
nobisLyricsA= \lyricmode {
no -- bis pig -- nus da -- tur,
}
%\version "2.6.5"
%O Sacrum Convivium
%Farant
nobisLyricsB= \lyricmode {
no -- bis pig -- nus da -- tur.
}
%O Sacrum Convivium
%Farant
\include "includes/futuraeLyrics.ly"
\include "includes/nobisLyricsA.ly"
\include "includes/nobisLyricsB.ly"
%Soprano Part
SopranoMusicA= \relative c'' {
%Page 1 System 1 Bar 1
g1 | g2.( a4) | b2 a | g c | a1 | r2 a4 a | b( cis) d2 |
%Page 1 System 2 Bar 8
d2 cis | d2\fermata r | d2( c?) | b2. b4 | a2 g | a4( b c2) | b( a) | g b4 b | a2 g |
%Page 1 System 3 Bar 17
a2( fis) | g2\fermata r | g2. a4 | b2 c | b2. b4 | b2*2/3 \breathe s2*1/3 b4( c) | d2 b | e2. e4 |
}
SopranoMusicB= \relative c'' {
%Page 2 System 1 Bar 25
d1~ | d | R | r2 g, | d' d | c b4 a |
%Page 2 System 2 Bar 31
b1 | g | r2 g( | c) c | b a | g( a) | fis b( |
%Page 2 System 3 Bar 38
e,4 fis) g2 | fis g | a( fis) | g r | R1 |
}
SopranoMusicC= \relative c'' {
%Page 2 System 3 Bar 43
R1 |
%Page 3 System 1 Bar 44
r2 g | d' d c b4 a | b1 | g |
%Page 3 System 2 Bar 49
r2 g( |c) c | b a | g( a) | fis b( | e,4 fis) g2 |
%Page 3 System 3 Bar 55
fis2 g | a( fis) | g1\fermata | r\fermata |
}
SopranoMusicD= \relative c'' {
%Amen from Anthem Book p 97
r1 | r1 | r2 b~( | b4 a g fis) | e2 c'~( | c4 b a g) |
fis2 d'~( | d4 c b a) | g2 e'~( | e d~ | d4 g, c2~ | c2 b) | b1~ | b1 \fermata \bar "|." |
}
SopranoMusicE= \relative c'' {
%Amen based on Farrant by Trevor Daniels
r2. c4( | b a) g2 | a4( b c2 |b a | g4 b2 b4 | a2 g | a4 g fis2) | g1 |
fis4( g a b) | c2 c( | b a | g a4 g | fis2) g2*2/3\fermata s2*1/6\breathe s2*1/6 | e4( fis g2 | fis g | a4 g fis2) | g1 |
e4( fis g2 | fis g | a fis) | g1~ | g1\fermata |
}
SopranoMusic= {
\SopranoMusicA
\SopranoMusicB
\SopranoMusicC
\SopranoMusicE
}
SopranoLyricsA= \lyricmode {
O sa -- crum con -- vi -- vi -- um
in \lyricSpace #2 quo Chris -- tus \lyricSpace #0 su -- mi -- tur,
re -- co -- li -- tur me -- mo -- ri -- a pas -- si -- o -- nis e -- jus,
mens im -- ple -- tur gra -- ti -- a, im -- ple -- tur gra -- ti --
}
SopranoLyricsB= \lyricmode {
a,
\futuraeLyrics
no -- bis
\nobisLyricsA
\nobisLyricsA
}
SopranoLyricsC= \lyricmode {
\futuraeLyrics
no -- bis
\nobisLyricsA
\nobisLyricsB
}
SopranoLyricsD = \lyricmode {
A -- men, A -- men, A -- men, A -- men.
}
SopranoLyricsE = \lyricmode {
A -- men, A -- men, A -- men, A -- men, A -- men, A -- men.
}
SopranoLyrics= {
\SopranoLyricsA
\SopranoLyricsB
\SopranoLyricsC
\SopranoLyricsE
}
SopranoDynamicsA= {
\tag #'Piano <<
% Place dynamics for piano relative to 'alto' part
\override DynamicLineSpanner #'staff-padding = #4
\override TextScript #'padding = #-10 % Reposition text (Rall at end)
>>
%Page 1 System 1 Bar 1
s1\p | s | s | s | s | s\cresc | s |
%Page 1 System 2 Bar 8
s2 s\!\mf | s1 | s2\p s | s1 | s | s | s | s | s |
%Page 1 System 3 Bar 17
s1 | s\cresc | s | s | s | s2\!\f s | s1 |
\once \override DynamicLineSpanner #'padding = #1.2
s2.\< s4\! |
}
SopranoDynamicsB= {
%Page 2 System 1 Bar 25
s1\ff\> | s1 | s4\!\mf s2. | s2\cresc s | s1 | s |
%Page 2 System 2 Bar 31
s1 | s | s2 s2\!\f | s1 | s | s2\dim s2 | s1 |
%Page 2 System 3 Bar 38
s1 | s1 | s1\!\p | s1 | s1 | s1 |
}
SopranoDynamicsC = {
%Page 3 System 1 Bar 44
s2\cresc s | s1 | s1 | s\!\f | s |
%Page 3 System 2 Bar 49
s1 | s | s | s\> | s2 s2\!\pp | s1^\markup{ \italic \large rall} |
%Page 3 System 3 Bar 55
s1 | s | s | s |
}
SopranoDynamicsD = {
%Amen from Anthem Book p 97
s1 | s | s2 s\p | s1 | s2 s\mp | s1 |
s2 s\mf | s1 | s2 s\f | s s\> | s1 | s1 | s4\!\p s4 s2| s1 |
}
SopranoDynamicsE = {
%Amen based on Farrant by Trevor Daniels
s2. s4\p | s1 | s1\mp | s1 | s1 | s1 | s4\> s s s\! | s1\p |
s4\mp s4\< s2 | s1\!\f | s1\> | s1 | s1\!\mp | s1 | s1 | s1 | s1 |
s2^\markup{ \italic \large rall} s2\> | s1 | s1\!\pp | s1 | s1 |
}
SopranoDynamics= {
\SopranoDynamicsA
\SopranoDynamicsB
\SopranoDynamicsC
\SopranoDynamicsE
}
\version "2.8.4"
% O Sacrum Convivium
% Farant
% Tempi
TempiA= {
\override Score.MetronomeMark #'padding = #3.0
%Page 1 System 1 Bar 1
\tempo 2=80 s1 | s | s | s | s | s | s |
%Page 1 System 2 Bar 8
% the following tempo changes implement the fermata in bar 9
\override Score.MetronomeMark #'transparent = ##t % hide the marks
s1 | \tempo 2=50 s | \tempo 2=80 s | s1 | s | s | s | s | s |
%Page 1 System 3 Bar 17
% the following tempo changes implement the fermata in bar 18
s1 | \tempo 2=50 s | \tempo 2=80 s | s | s | s | s | s |
}
TempiB = {
%Page 2 System 1 Bar 25
s1 | s | s | s | s | s |
%Page 2 System 2 Bar 31
s1 | s | s | s | s | s | s |
%Page 2 System 3 Bar 38
s1 | s | s | s | s | s |
}
TempiC = {
%Page 3 System 1 Bar 44
s1 | s | s | s | s |
%Page 3 System 2 Bar 49
s1 | s | s | s | s | s |
%Page 3 System 3 Bar 55
% the following tempo changes implement the penultimate rall
\override Score.MetronomeMark #'transparent = ##t % hide the marks
\tempo 2=76 s1 | \tempo 2=72 s | s | s |
}
TempiD = {
% the following tempo changes implement the final rall
%Amen from Anthem Book p 97
\override Score.MetronomeMark #'transparent = ##f % show the marks
\tempo 2=72 s1^Slower | s | s | s | s | s |
\override Score.MetronomeMark #'transparent = ##t % hide the marks
s1 | s | s \tempo 2=65 | s \tempo 2=60 | s | s | s | s |
}
TempiE = {
%Amen based on Farrant by Trevor Daniels
\override Score.MetronomeMark #'transparent = ##f % show the marks
\tempo 2=72 s1^Slower | s1 | s1 | s1 | s1 | s1 | s1 | s1 |
% the following tempo changes implement the fermata in bar 71
\override Score.MetronomeMark #'transparent = ##t % hide the marks
s1 | s1 | s1 | s1 | s2 \tempo 2=30 s2 \tempo 2=72 | s1 | s1 | s1 | s1 |
\override Score.MetronomeMark #'transparent = ##t % hide the marks
s1 | \tempo 2=65 s1 | \tempo 2=60 s1 | s1 | s1 |
}
Tempi = {
\TempiA
\TempiB
\TempiC
\TempiE
}
%O Sacrum Convivium
%Farant
\include "includes/futuraeLyrics.ly"
\include "includes/nobisLyricsA.ly"
\include "includes/nobisLyricsB.ly"
%Tenor Part
TenorMusicA= \relative c' {
%Page 1 System 1 Bar 1
b1 | b2.( d4) | d2 d | b e | d1 | r2 d4 d | d2 d |
%Page 1 System 2 Bar 8
e2 e | d2\fermata r | b2( c) | d2. d4 | d2 b | d( e) | d( c) | b d4 d | d2 b |
%Page 1 System 3 Bar 17
c2( a) | g2\fermata r | b2. c4 | d2 e | d2. d4 | d2*2/3 \breathe s2*1/3 d4( c) | b2 b | c2. c4 |
}
TenorMusicB= \relative c' {
%Page 2 System 1 Bar 25
a2 a4 a | b2 b | a b4 d | c( b) a( g) | a2 b | c1 |
%Page 1 System 2 Bar 31
d2 b | e e | d c4 b | a2 a g d' | b( c) | a g( |
%Page 1 System 3 Bar 38
g2) g | a b | a1 | g2
}
TenorMusicC= \relative c' {
%Page 2 System 3 Bar 41
g2 | b b | a b4 d |
%Page 3 System 1 Bar 44
c4( b) a( g) | a2 b | c1 | d2 b | e e |
%Page 3 System 2 Bar 49
d2 c4 b | a2 a | g d' | b( c) | a g~ | g g |
%Page 3 System 3 Bar 55
a2 b | a1 | g\fermata | r\fermata |
}
TenorMusicD= \relative c' {
%Amen from Anthem Book p 97
g1~ | g | g2 d'~( | d4 c b a) | g2 e'~( | e4 d c b) |
a1~ | a2 d~( | d4 c b2 | c g~ | g1) | g1~ | g1~ | g1 \fermata |
}
TenorMusicE= \relative c' {
%Amen based on Farrant by Trevor Daniels
r1 | d2.( c4 | d2 e | d2. c4 | b2 d2 | fis2 e | c4 b a2) |
g1 | d'2( c4 b) | a1 | d2( c | b2 c | a2) b2*2/3\fermata s2*1/6\breathe s2*1/6 | g1( | a2 b2 | a1) | g |
r2 g( | a b | a1) | g~ | g\fermata |
}
TenorMusic= {
\TenorMusicA
\TenorMusicB
\TenorMusicC
\TenorMusicE
}
TenorLyricsA= \lyricmode {\SopranoLyricsA}
TenorLyricsB= \lyricmode {
a, et
\futuraeLyrics
\nobisLyricsA
\futuraeLyrics
\nobisLyricsA
\nobisLyricsA
}
TenorLyricsC= \lyricmode {
\futuraeLyrics
\nobisLyricsA
\futuraeLyrics
\nobisLyricsA
\nobisLyricsB
}
TenorLyricsD= \lyricmode {\SopranoLyricsD}
TenorLyricsE = \lyricmode {
A -- men, A -- men, A -- men, A -- men, A -- men.
}
TenorLyrics= {
\TenorLyricsA
\TenorLyricsB
\TenorLyricsC
\TenorLyricsE
}
TenorDynamicsA= {
% Try to line up dynamics better
\override DynamicLineSpanner #'staff-padding = #2
%Page 1 System 1 Bar 1
s1\p | s | s | s | s | s\cresc | s |
%Page 1 System 2 Bar 8
s2 s\!\mf | s1 | s2\p s | s1 | s | s | s | s | s |
%Page 1 System 3 Bar 17
s1 | s\cresc | s | s | s | s2\!\f s | s1 | s2.\< s4\! |
}
TenorDynamicsB= {
%Page 2 System 1 Bar 25
s4\ff\> s4 s4\! s4\mf | s4\cresc s2. | s2 s | s1 | s | s |
%Page 2 System 2 Bar 31
s2 s2\!\f | s1 | s2 s2 | s1 | s | s2\dim s2 | s1 |
%Page 2 System 3 Bar 38
s1 | s | s\!\p | s2 s2\cresc | s1 | s |
}
TenorDynamicsC= {
%Page 3 System 1 Bar 44
s1 | s | s | s2\!\f s2 | s1 |
%Page 3 System 2 Bar 49
s1 | s | s | s\> | s2 s2\!\pp | s1^\markup{ \italic \large rall} |
%Page 3 System 3 Bar 55
s1 | s | s | s |
}
TenorDynamicsD = {
%Amen from Anthem Book p 97
s1\p | s | s | s | s2 s\mp | s1 |
s1 | s2 s2\f | s1 | s2 s\> | s1 | s1 | s4\!\p s4 s2| s1 |
}
TenorDynamicsE = {
%Amen based on Farrant by Trevor Daniels
s1 | s1\p | s1\mp | s1 | s1 | s1 | s1\> | s1\!\p |
s1\mp\< | s1\!\f | s1\> | s1 | s1\!\mp | s1 | s1 | s1 | s1 |
s2^\markup{ \italic \large rall} s\> | s1 | s1\!\pp | s1 | s1 |
}
TenorDynamics = {
\TenorDynamicsA
\TenorDynamicsB
\TenorDynamicsC
\TenorDynamicsE
}_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
