Please note that I understand that it is LilyPond's intended behavior to never merge a quarter note and a half note regardless of how properties are set. I also understand why this should be the default behavior. I guess I don't understand why setting 'merge-differently-headed should not override the default behavior for quarter notes as well as flagged notes. I've attached a snippet of some old sheet music which does merge a quarter note and a half note. While in some contexts it might be ambiguous, in this case, it is not.
BTW, I have figured out how to fake the behavior that I want.
Ted
> ---------- Forwarded message ----------
> From: "Gilles THIBAULT" <[EMAIL PROTECTED]>
> To: "Ted Stanion" <[EMAIL PROTECTED]>, <lilypond-user@gnu.org>
> Date: Fri, 8 Feb 2008 09:27:38 +0100
> Subject: Re: Why Is This Merge Behavior Different?
> > Can someone explain to me why the eighth note and half
> > note have their heads merged in the first measure while the quarter
> > note and the half note in the second measure do not?
> > \relative c''
> > {
> > \new Voice << {
> > c8 c4.
> > \override Staff.NoteCollision #'merge-differently-headed = ##t
> > c8 c4.
> > \override Staff.NoteCollision #'merge-differently-headed = ##f
> > c4 c4
> > \override Staff.NoteCollision #'merge-differently-headed = ##t
> > \override Staff.NoteCollision #'merge-differently-dotted = ##t
> > c4 c4 } \\
> > { c2 c2 c2 c2 } >>
> Yes it seems strange but i think it is on purpose.
> With a eighth note and a half note, the little hook of the eighth note
> (sorry don't remember how you call that in english) lets you to understand
> the duration of each merged notes.
> There is no way to distinguish a quarter note and a half note if they are
> merged. It can make believe you that it is 2 half notes.
> (of course reading forward in the measure let you imagine the real duration
> of each note)
>
> Gilles
>
<<attachment: merge.jpg>>
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