-----BEGIN PGP SIGNED MESSAGE-----
Hash: SHA1
Am Samstag, 23. August 2008 schrieb Lara Diamand:
> Here is my file, I send you the whole thing, because I don't know what part
> of it I should choose.
Ah, you are appending the lyrics for the second volta to the first stanza, so
of course it is shown in the same line as the first stanza. The solution is
to simply append it to the second volta:
\addlyrics { \refrain \verseOne }
\addlyrics { \refrSkip \verseTwo \refrainTwo }
Don't worry about lines where no first volta text is displayed: It will not
take up any space for the first stanza, but instead use only the text from
the second stanza as its only lyrics line with no additional spacing above.
Corrected file is attached.
Cheers,
Reinhold
PS: In your lyrics you forgot to add the space after -- in two places. While
lilypond will not complain, it will display a single - right before that
syllable, but not centered between the two syllables as you would expect...
- --
- ------------------------------------------------------------------
Reinhold Kainhofer, Vienna University of Technology, Austria
email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/
* Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/
* K Desktop Environment, http://www.kde.org, KOrganizer maintainer
* Chorvereinigung "Jung-Wien", http://www.jung-wien.at/
-----BEGIN PGP SIGNATURE-----
Version: GnuPG v1.4.6 (GNU/Linux)
iD8DBQFIsCG3TqjEwhXvPN0RAr8/AKDJA/q5yA6JYW2LF1Bo4agDEjSugQCcCljf
HNGF6zT7lnPaqjxD9RQc2y8=
=wym6
-----END PGP SIGNATURE-----
\version "2.10.20"
\header {
title = "De geit van Dokter Sanders"
composer = "Paul Chr. van Westering"
poet = "Annie M. G. Schmidt"
}
melody = {
\clef treble
\key es \major
\time 4/4
%1
\partial 4 r4 |
r1 ^\markup { Energiek } |
r1 |
r1 |
r2 r4 \bar "||" | \break bes'4 \repeat "volta" 2 {
%5
bes'4. c''8 bes'4 as' |
g' es' r4 g' |
f' bes r4 as' |
g' bes' r4 bes' |
bes'4. c''8 bes'4 as' | \break
%10
g' es' r4 g' |
f' as' g' f' |
es' r4 r4 es'8 es'8 |
f'4 as' g' f' |
es' r4 r4 es'8 es'8 |
%15
f'4 as' g' f' |
es'8 f' es' f' es'4 r4 |
es'8 f' es' f' es'4 r4 |
es'8 f' es' f' es' f' es' f' |
es'8 f' es' f' es'4 \bar "||" bes'4 |
%20
bes'4. c''8 bes'4 as' |
g' bes' es' g' |
f'4. es'8 d'4 es' |
f' bes bes bes' |
bes'4. c''8 bes'4 as' |
%25
g' bes' es' g' |
f' f' g'8 f' g' a'! |
bes'4 r4 r4 bes' |
c'' c'' es'' c'' |
bes'4. bes'8 g'4 r8 bes'8 |
%30
c''4 c'' es'' c'' |
bes'4. bes'8 g' r8 g'4 |
f'4 g' f' g' |
f' g' f'8 f' r8 f' |
}
\alternative { { g'4 f' g' r8 a'8 |
%35
bes'4 r4 r4 bes' }
{g'4 f' g' a' } }
c'' bes' bes'8 bes'8 r4 |
r2 r4 bes' |
as'^\markup { Langzamer } g' f' es' |
%40
d' es' f' r8 bes'|
bes'4 bes' c'' r8 bes' |
c''4 cis'' d'' bes' \bar ":|"
}
refrain = \lyricmode {
\set stanza = " "
De geit van Dok -- ter San -- ders is an -- ders, is an -- ders.
De geit van dok -- ter San -- ders is an -- ders van mo -- del,
dan de geit van dok -- ter Snel,
dan de geit van dok -- ter Snel -- le -- bel -- le -- bel,
Snel -- le -- bel -- le -- bel,
Snel -- le -- bel -- le -- bel -- le -- bel -- le -- bel -- le -- bel -- le -- bel.
}
verseOne = \lyricmode {
\set stanza = "1. "
En dok -- ter San -- ders zit voor't raam en vindt het zeer on -- aan -- ge -- naam.
Hij zucht en kijkt de he -- le tijd naar dok -- ter Sne -- le -- bel z'n geit
Met veel ver -- driet en droef -- fe -- nis om -- dat zijn geit zo an -- ders is.
En al -- le men -- sen staan voor 't hek
en roe -- pen: Kijk, wat gek! De
}
verseTwo = \lyricmode {
\set stanza = "2. "
En dok -- ter Snel aan d'o -- ver -- kant heeft ook 't land heel erg 't land.
Hij knar -- se -- tandt en wrokt en huilt: de gei -- ten moe -- ten maar ge -- ruild.
''Met -- een!'' zegt dok -- ter Sne -- le -- bel en dok -- ter San -- ders zegt: ''Ja -- wel!''
Toen heb -- ben ze het snel be -- dis -- seld en _ _ _ _ _ _
}
refrainTwo = \lyricmode {
bei -- den gei -- ten om ge -- wis -- seld.
Maar veel ge -- hol -- pen heeft het niet.
Het is nu nog het -- zelf -- de lied. De
}
refrSkip = \repeat unfold 62 { \skip 1 }
upper = {
\clef treble
\key es \major
\time 4/4
%1
\partial 4 bes'|
bes'4. c''8 bes'4 as' |
fis' as' g' r8 f'8 |
d'4 f' es' r8 ces'8 |
a4 ces' bes \bar "||" bes'4 \repeat "volta" 2 { |
%5
r4 <f' as' bes'> r4 <f' as' bes'> |
r4 <bes es' g'> r4 <bes es' g'> |
r4 <bes d'> r4 <as bes d'> |
r4 <bes es' g'> r4 <bes es' g'> |
r4 <d' as' bes'> r4 <d' as' bes'> |
%10
r4 <bes es' g'> r4 <bes es'> |
r4 <c' es' f'> r4 <bes d'> |
r4 <g c' es'> r4 <bes es'> |
r4 <c' f'> r4 <bes d'> |
r4 <g c' es'> r4 <bes es'> |
%15
r4 <c' es' f'> r4 <as bes d'> |
r4 <g bes es'> r4 <g bes es'> |
r4 <as c' es'> r4 <as c' es'> |
r4 <g bes es'> r4 <as c' es'> |
<g bes es'> <f as es'> <es g es'> \bar"||" r4 |
%20
r4 <g bes es'> r4 <bes d'> |
<bes es'> <bes f'> < bes g'> <bes es'> |
r4 <bes es'> r4 <a es' f'> |
<d' f'> bes bes <as' bes'> |
r4 <g' bes'> r4 <f' as' bes'> |
%25
r4 <es'g'> r4 <bes es' g'>|
r4 <a es' f'> r4 <c' f'> |
<d' f' bes'> r4 r4 <des' es' g' bes'> |
r4 <es' as' c''> r4 <es' as' c''> |
<< { bes'2 g'4 } \\ { <bes es'>4 <bes d'> <bes es'> } >> <bes des' es' g'> |
%30
r4 <es'as'> r4 <es'as'> |
r4 <f' as' bes'> <bes es' g'> r4 |
r4 <bes es' g'> r4 <a es' g'> |
r4 <c' es' g'> << { f'2 } \\ { <c' d'>4 <bes d'> } >> |
}
\alternative { { r4 <bes es'> <bes es' g'> < c' es' f' a'> |
%35
<d' f' bes'> << { bes' bes' bes' } \\ { r4 r2 } >> }
{ r4 <bes es'> <bes es' as'> <c' f' a'> } } |
<es' f' c''>4 <d' f' bes'> <d' f' bes'> r8 a'8 |
\acciaccatura a'8 c''4 bes'-. bes'-. bes'-. |
<c' es' as'> <bes' d' g'> <as' c' f'> <g' ces' es'> |
<f bes d'> << { es' } \\ { d'8 c' } >> <bes f'>4 r4 |
<< { bes'2 c''4. bes'8 } \\ { bes'2 <es' g'>4 <d' f'> } >> |
<g' c''> <g' cis''> < as' d''> << { bes' } \\ { bes' } >> \bar":|"
}
lower = {
\clef bass
\key es \major
\time 4/4
\partial 4 bes'
bes4. c'8 bes4 as |
fis as g r8 f8 |
d4 f es r8 ces8 |
a,4 ces bes, \bar "||" r4 \repeat "volta" 2 { |
%5
d r4 bes, r4 |
es r4 bes, r4 |
f r4 bes, r4 |
es r4 bes, r4 |
f r4 bes r4 |
%10
es r4 g, r4 |
as, r4 bes, r4 |
c r4 g, r4 |
as, r4 bes, r4 |
c r4 g, r4 |
%15
as, r4 bes, r4|
es, r4 es, r4 |
es r4 es r4 |
es, r4 es r4 |
r2 r4 \bar"||" bes |
%20
es, r4 es, r4 |
es, r4 r4 d |
c r4 f, r4 |
bes, f bes r4 |
es r4 es r4 |
%25
es d c r4 |
f, r4 f r4 |
bes, \acciaccatura e8 f4 bes es |
as, r4 f, r4 |
g, bes, es r4 |
%30
as, r4 c r4 |
d bes, es d |
c r4 f, r4 |
g, a, bes, r4 |
}
\alternative { { es, r4 c f, |
%35
bes, r4 r2 }
{ es4 r4 c f } } |
bes2. r4 |
r2 r4 bes, |
r2 bes,4 r4 |
%40
bes,2. bes4 ~ |
bes2. r4 |
<bes es'> <bes e'> <bes f'> \bar ":|"
}
\score {
%\transpose a bes
<<
\new Voice = "mel" {
\autoBeamOff
\melody
}
\addlyrics { \refrain \verseOne }
\addlyrics { \refrSkip \verseTwo \refrainTwo }
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
>>
\layout {
\context { \RemoveEmptyStaffContext }
}
}
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
