-----BEGIN PGP SIGNED MESSAGE----- Hash: SHA1 Am Sonntag, 7. September 2008 schrieb Daryna Baikadamova: > So do you mean that I should leave the original score alone (i.e. *not* to > create a concert pitch version of the part by using \displayLilyMusic > \transpose) and in the driver lilypond file that uses the score to print > the separate part, I use: > > \transpose old_transpose_key new_transpose_key > > to output the part with the desired pitch?
That, and you should add \transposition displayPitchOfYourNote to the beginning of your original score in some strange display pitch. This tells lilypond the actual concert pitch of that part, so that quoting the instrument in other voices displays the correct pitches there, too, and the MIDI output uses the correct sounding pitch. See http://kainhofer.com/~lilypond/Documentation/user/lilypond/Displaying-pitches.html#Instrument-transpositions Cheers, Reinhold - -- - ------------------------------------------------------------------ Reinhold Kainhofer, Vienna University of Technology, Austria email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/ * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/ * K Desktop Environment, http://www.kde.org, KOrganizer maintainer * Chorvereinigung "Jung-Wien", http://www.jung-wien.at/ -----BEGIN PGP SIGNATURE----- Version: GnuPG v1.4.6 (GNU/Linux) iD8DBQFIw7MSTqjEwhXvPN0RAk/tAJ0WTB5xcN9rksaqVVUIf6W2lgL8UwCgyEH7 VLPy7463SzDbwz195sVz2G4= =+FOJ -----END PGP SIGNATURE----- _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
