On Tuesday 27 January 2009, Ricardo Teruel wrote: > I think it's quite common to have curved tuplet brackets specifically > for triplets.
Less common all the time, because it is a terrible idea. The player can't tell whether it's a tuplet bracket, a legato (phrasing slur), or a legatura (slur). Much better is a flared tuplet bracket, which is better both over or under beams or over or under stems. The first use AFAIK was in the Philippines many decades ago. Some autographers there used straight flares: __ / \ and others used flares with curvature: \ \ ( It is a welcome innovation, For many years better engravers and typesetters have used very thin lines for tuplet brackets to avoid confusion with beams. Sometimes the lines are too thin. Flared brackets solve the problems. Anything else is substandard, IMO. The fact that flared brackets are not the standard everywhere is evidence of my contention that there is no such thing as an expert in music notation. See some flared brackets in my quasi flamenco "Alegrias" on my website. Code to get them is in the docs. > In any case I would really appreciate the option. Of course you have the option of putting both the number and a legato or legatura over a beam now. It is no more ambiguous than the ugly curved brackets I have seen drawn with a compass, and much prettier. > Lilypond is such a beatiful program. and getting better all the time. Regards, daveA -- Free download of technical exercises worth a lifetime of practice: "Dynamic Guitar Technique": http://www.openguitar.com/instruction.html You can play the cards you're dealt, or improve your hand with DGT. To email go to: http://www.openguitar.com/contact.html _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
