I also hopefully will get some pictures from Iran.
The thickness of the lines have also something to do with its harmony
with other music notes. So this is not much of an issue. But the
basic shaping has something that should be looked more carefully. But
generally speaking it is pretty clear to me.
There is apparently some specific notation marks for some specific
instruments as well (Taar for example) I'm waiting for the scans to
see what's the situation.
Behnam
On 2-Feb-09, at 4:50 PM, Kees van den Doel wrote:
On 2 Feb 2009, at 20:58, Kees van den Doel wrote:
I have several shelves of Persian music books and I have never
seen
that "variation".
The sori is always a rotated = with an > on it, and the koron
akways
has the '>' body.
That is good to know - I think what you say is best, being
most
distinguishable (like from an inverted b or some other sharp
variation).
There is a small subtlety: the usual sharp # is usually drawn a
bit
slanted (endpoints of vertical bars not exactly level, but
moving up).
I think this may have to do with how the horizontal lines "="
are
drawn (somewhat slanted upwards). These horizontal lines are
also
usually drawn fat.
Can you see in your examples how the sori is drawn in these
respects?
That is, are vertical line endpoints level,
No, the vertical lines are just as in the normal sharp.
and is the ">" fatter?
Usually not, but they are handwritten. I'll scan in some more
examples to compare.
Kees
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
