Carl D. Sorensen wrote:
Music inside a \transpose or \chordmode block is absolute, unless a
\relative is included inside the the \transpose or \chordmode block. When
\relative blocks are nested, the innermost relative block applies.
I don't understand why \chordmode (and \chords) changes back to absolute
mode, when \notemode doesn't. Is it just since it's less common that the
roots of the chords span several octaves, or is there any other good
reason why LilyPond is implemented in this way?
/Mats
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