Hugh Myers schrieb:
I see nothing in the sample that allows for monophonic. As given I
only see polyphonic. The piece I'm working on is a mixture of both---
which obviously means I must be able to switch from one to the other.
Again, the sample is only polyphonic--- I must be missing something.
Hints?
Federico pointed out that his sample will ease things if your piece is
*mostly* polyphonic.
If you use mainly polyphony, the following template should help you.
There is his explanation how to use the template.
Actually, you can use it also for a mixture of polyphony and monophony, just
add a spacer note if you want a voice to be silent.
In the parts where monophony is needed, you can add spacers in the
other voice,
like this:
upper = \relative c' {
c4 d e f % polyphonic
g4 a b c % monophonic, see below
b4 g e c % polyphonic again
}
lower = \relative c, {
c2 g2 % polyphonic
s1 % a spacer "disables" this voice tamporarily
g2 c2 % and here we are again.
}
Marc
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
