On Sat, Apr 24, 2010 at 5:44 PM, Bernardo Barros <bernardobarr...@gmail.com> wrote: > Hi List, > > I have another problem here, I tried to find a solution and I couldn't. > Maybe it's very easy. > > I'll simplify the examples to make it clear. > > I have a line in a PianoStaff (actually it's for Harp in the original) and > there is one single chord in the upper staff that is bigger that has some > notes more suitable for the lower staff, with a bass clef. It's hard because > \autochange and \change Staff DON'T work just for half of a chord, just for > the entire chord. Ah, in this measure there is nothing in the lower staff. > > Is there another command that could split the chord between the staff in an > optimal way, so each staff gets the more appropriate notes???? >
I don't know that there's a way for this to happen automatically, but it's definitely possible to get it to look the way you want. Check the Granados example on the LP examples page: http://lilypond.org/doc/v2.13/Documentation/web/examples#Examples I think it has some of what you're looking for. I'll attach the source file for you as well. Jon -- Jonathan Kulp http://www.jonathankulp.com
\version "2.12.0" \include "example-header.ily" %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % This is a brief passage from Enrique Granados % % Goyescas, "Coloquio en la Reja." % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% #(set-global-staff-size 17) \paper { ragged-right = ##f #(set-paper-size "letter" 'landscape) system-count = 1 } csh = \change Staff = "high" csm = \change Staff = "middle" csl = \change Staff = "low" crmolto = \markup { \italic \large "cresc. molto" } appassmolto = \markup { \italic \large "appassionato molto" } #(ly:set-option 'point-and-click #f) global = { \time 3/4 \set fontSize = #1 \override Beam #'thickness = #0.5 \override NoteColumn #'ignore-collision = ##t } upperVoiceOne = \relative c'' { \voiceOne \override TupletBracket #'transparent = ##t <aes f'>8\([ \times 4/5{g'32( aes g f g]) } <es aes>8[ \times 4/5{<d bes'>32( c' bes aes bes]) } <es, aes es'>8 <d fis b d>\) | % end m. 1 %--------------------------------------------------% <c g' c>4\( \voiceTwo <bes es bes'\arpeggio>\) \slurUp <aes aes'>16( <bes bes'> <g g'>8) % end m. 2 %--------------------------------------------------% \noBreak \voiceOne <f aes d f>8\([ \times 4/5{<g g'>32( aes' g f g]) } \set subdivideBeams = ##t \set beatLength = #(ly:make-moment 1 8) <aes, aes'>16 <c f> \times 4/5{ bes'32( c bes aes bes]) } \set subdivideBeams = ##f \ottava #1 <es es'>16 <f f'> <d d'> \appoggiatura f8 <es es'>16\) } upperVoiceTwo = \relative c'' { \voiceTwo s8 c8\< <bes, f'>[ <bes aes'> c' <bes, d fis>\!] s32 s32_\appassmolto s8. \voiceOne r8 <bes'' es bes'>-> s4 \override Stem #'cross-staff = ##t \override Stem #'length = #28 \override Stem #'flag-style = #'no-flag s8 \voiceTwo g,8 aes4 s4 } middleVoiceOne = \relative c' { \override Stem #'cross-staff = ##t \override Stem #'length = #32 \override Stem #'flag-style = #'no-flag d!8\noBeam s8 s8 s8_\crmolto s4 % 1 s4 <g bes\arpeggio>8[ <es' g>] \voiceOne e,8( dis16 e) | % 2 \revert Stem #'length \revert Stem #'cross-staff \showStaffSwitch \csh \stemUp f4 s2 %s2. % beginning m. 3 } middleVoiceTwo = \relative c' { s2. | % 1 \override Stem #'cross-staff = ##t \override Stem #'length = #24 \override Stem #'flag-style = #'no-flag s2 \voiceTwo e!4 | % 2 s4 \voiceTwo <bes c es f>8 <f' aes es'>16 d' <bes, f' aes c>8 <bes' fis'> | % 3 } lowerVoiceOne = \relative c, { \override Staff.NoteCollision #'merge-differently-headed = ##t \override Staff.NoteCollision #'merge-differently-dotted = ##t bes8 \csm \stemDown <bes'' c es>8 s2 \csl \stemUp \set subdivideBeams = ##t \set beatLength = #(ly:make-moment 1 16) s8 \hideNotes \slurUp \stemDown es,,64( bes'' s64 \unHideNotes \stemUp g64[ bes c d c]) s2 \set subdivideBeams = ##f bes,,8 \csm \stemDown <bes'' c es>8 s2 } lowerVoiceTwo = \relative c, { \voiceTwo bes2. \csh \once \override Beam #'damping = #+inf.0 <bes'' es g>8 \csl \slurUp %\once\override Slur #'extra-offset = #'(0 . 4) es,,64 bes' es g s32. c64 s4 <bes des> bes,,2. } \score { \new PianoStaff << \set PianoStaff.connectArpeggios = ##t % \override PianoStaff.Arpeggio #'stencil = #ly:arpeggio::brew-chord-bracket \new Staff = "high" << \global \context Voice = "upperVoiceOne" { \upperVoiceOne } \context Voice = "upperVoiceTwo" { \upperVoiceTwo } >> \new Staff = "middle" << \global \context Voice = "middleVoiceOne" { \middleVoiceOne } \context Voice = "middleVoiceTwo" { \middleVoiceTwo } >> \new Staff = "low" << \clef bass \global \context Voice = "lowerVoiceOne" { \lowerVoiceOne } \context Voice = "lowerVoiceTwo" { \lowerVoiceTwo } >> >> \layout { \context { \Score \override TimeSignature #'stencil = ##f \remove "Bar_number_engraver" } } %{\midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } }%} }
_______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user