Thanks! I had given up since my permutations did not work the first time, but since you so succintly repeated it, I thought I might have missed something so I went back and tried it again.
Yes, \mergeDifferentlyHeadedOn works as you've described. The trick is you do need the \change Staff and a \stemUp or Down depending. The note heads don't merge on different staves. Obviously... On Wed, Nov 3, 2010 at 3:33 PM, Nick Payne <nick.pa...@internode.on.net>wrote: > On 04/11/10 05:01, Ken wrote: > >> Hi, >> >> I tried looking in archives for a solution to my problem but I'm not sure >> quite how to put in a search description. >> >> I'm writing a 3-part piece for the piano. 3 voices. In one measure, I >> have the second and third (voiceFour in lliypond because the stems are down) >> share the same note. The second voice is a 16th note while the third voice >> is a dotted quarter. I'd like to have the note in the bass stave and have 2 >> stems, one up and one down. The up one is beamed with the rest of the notes >> of the second voice. How do I do this? >> > Use \mergeDifferentlyHeadedOn and \mergeDifferentlyDottedOn. Look up > "collision resolution" in s.1.5.2 of the notation reference. > > Nick > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > http://lists.gnu.org/mailman/listinfo/lilypond-user >
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